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No efforts of mine could avail to make the book easy reading.
--
Preface, p. x

 

Ronald Fisher

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It might be my favorite book of mine. It was a very exciting time in my life. I was writing that book while I was at college. Sort of like the best of times, the worst of times. There was a lot of elation, there was a lot of despair. It was just a really fun book to write. I loved mimicking all the different voices. The stream of conscious does get a little out of hand. I kind of like that about the book. It's kind of all over the place. It's casual. It's scruffy. That's the one book of mine that I have a very, very soft spot for.

 

Bret Easton Ellis

 

I've noticed a certain anti-intellectualism going around this country; since about 1980, coincidentally enough. … I was in Nashville, Tennessee, and after the show I went to a Waffle House. I'm not proud of it, but I was hungry. And I'm sitting there eating and reading a book. I don't know anybody, I'm alone, so I'm reading a book. The waitress comes over to me like, [gum smacking] "What'chu readin' for?" I had never been asked that. Not "What am I reading?", but "What am I reading for?" Goddammit, you stumped me. Hmm, why do I read? I suppose I read for a lot of reasons, one of the main ones being so I don't end up being a f**king waffle waitress.

 

Bill Hicks

 

I hadn't originally intended to do any reading, what if I did read one book more or one book less, whether I read or not wouldn't make a difference, I would still be waiting to get cremated.

 

Gao Xingjian

 

That landscape painter who does not make his skies a very material part of his composition, neglects to avail himself of one of his greatest aids. Sir Joshua Reynolds speaking of the "Landscape" of Titian & Salvator & Claude says 'Even their skies seem to sympathise with the Subject.' I have often been advised to consider my sky as a 'hite Sheet thrown behind the Objects'. Certainly, if the sky is 'obtrusive,' (as mine are) it is bad, but if they are 'evaded' (as mine are not) it is worse, they must and always shall with me make an effectual part of the composition. It will be difficult to name a class of landscape in which the sky is not the 'key note,' the 'standard of Scale' and the chief 'Organ of sentiment.' You may conceive, then, what a "white sheet" would do for me, impressed as I am with these notions.

 

John Constable

 

[On book reviewing] I will only turn down a book if I know I won't be able to muster enough interest to read the bloody thing. Or if I realize that I despise the author, and that I'm just going to become hysterical in my dispraise. A couple of times in my life I've disobeyed my own rule, and later regretted it. [...] It's a delicate business. All too often, if one writes a favorable notice, it's seen as a product of the old-boy network, and if one dispraises a book, it's seen as envy. Nobody seems able to accept that I review books as a book reviewer, not as a competing novelist. When I review, I'm being as honest as I can. And I'm saying to the reading public — the minuscule segment of the reading public that reads reviews — that this is my judgment.

 

John Banville