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I was on my face. I heard the count from one to 10. I kept telling myself that I had to get up, but I couldn't move. I couldn't make myself move. It was the strangest feeling.
--
Rex Layne, after being knocked out by Marciano.

 

Rocky Marciano

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He stood with his back angled to the wall. To an indifferent observer he was simply in idle conversation, but it wasn't like that at all. This was an instinctive gesture of survival, being in constant readiness for an attack. His head didn't turn and his eyes didn't seem to move, but I knew he saw us. I could feel the hackles on the back of my neck stiffening and I knew he felt the same way.
Dog was meeting dog. Nobody knew it but the dogs and they weren't telling.
He was bigger than I thought. The suggestion of power I had seen in his photographs was for real. When he moved it was with the ponderous grace of some jungle animal, dangerously deceptive, because he could move a lot faster if he had to.
When we were ten feet away he pretended to see us for the first time and a wave of charm washed the cautious expression from his face and he stepped out to greet Dulcie with outstretched hand.
But it wasn't her he was seeing. It was me he was watching. I was one of his own kind. I couldn't be faked out and wasn't leashed by the proprieties of society. I could lash out and kill as fast as he could and of all the people in the room, I was the potential threat. I knew what he felt because I felt the same way myself.

 

Mickey Spillane

 

She wanted to test her husband.
She knew exactly what to do:
A pseudonym to fool him.
She couldn't have made a worse move.

 

Kate Bush

 

When I call a man openly, you're a liar, you're dishonest, and you do not dare to sue me, there's something basically wrong. And I will repeat it anywhere and you can't go and say, oh, I have apologised; let's move on. Can you commit a dishonourable -- maybe even one which is against the law -- an illegal act and say, let's move on because I've apologised? You may move on but you're going to move on out of politics in time.

 

Lee Kuan Yew

 

You move me, you move me.
with your buildings and your eyes
Autumn woods and Winter skies.
You move me, you move me.
Open sea and city lights, busy streets and dizzy heights.
You call me, you call me.
-- The Analog Kid (1982)

 

Neil Peart

 

... It sucked. I couldn't sleep. I couldn't eat. I couldn't even shop. Actually that's not true. I had gotten this amazing Marni backless dress down at Barneys the day before-but I didn't go really crazy like normal.

 

Nicole Richie