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Robinson Jeffers

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The tides are in our veins, we still mirror the stars,
life is your child, but there is in me
Older and harder than life and more impartial, the eye
that watched before there was an ocean.
--
"Continent's End" in Tamar and Other Poems (1924)

 
Robinson Jeffers

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People in your life will come and go like the ocean tides, but few will leave such an imprint on your soul that it can not be washed away.

 
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The older I grow, the more I realize what a perfect philosophy it is for life. Then, having been the recipient of such kindness —as Mr. Church writing to me, a little child — I feel a sort of responsibility about living up to some of the ideals ... It's brought into my life many, many interesting and kind things that I don't think would have have ever been there if I hadn't written that letter and he hadn't to answered it so eloquently. ... The older I grow the more I read into it, and the more I see what it means to other people to have such a firm conviction in the best things in life — faith, love, poetry, romance.

 
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Art, it is said, is not a mirror, but a hammer: it does not reflect, it shapes. But at present even the handling of a hammer is taught with the help of a mirror, a sensitive film that records all the movements. Photography and motion-picture photography, owing to their passive accuracy of depiction, are becoming important educational instruments in the field of labor. If one cannot get along without a mirror, even in shaving oneself, how can one resconstruct oneself or one's life, without seeing oneself in the "mirror" of literature? Of course no one speaks about an exact mirror. No one even thinks of asking the new literature to have mirror-like impassivity. The deeper literature is, and the more it is imbued with the desire to shape life, the more significantly and dynamically it will be able to "picture" life.

 
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