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It is particularly displeasing to hear professional critics using the term "layman" to describe people who are amateurs and patrons of those arts with which they are themselves professionally concerned. The fact that the critic gets money for knowing something, and giving public expression to his opinion, does not entitle him to consider the amateur, who may be as well informed and as sensitive as himself, an outsider.

 

Robertson Davies

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I've noticed that there is not necessarily a great relationship between what the majority of critics have to say and what is actually true. Some of them are so busy trying to mold the public taste according to the limits of their perceptions, and others are so busy reflecting what they consider to be the public taste — that view limited again by their perception. You find very few critics who approach their job with a combination of information and enthusiasm and humility that makes for a good critic. But there is nothing wrong with critics as long as people don't pay any attention to them. I mean, nobody wants to put them out of a job and a good critic is not necessarily a dead critic. It's just that people take what a critic says as a fact rather than an opinion, and you have to know whether the opinion of the critic is informed or uninformed, intelligent of stupid — but most people don't take the trouble.

 

Edward Albee

 

"It's like a supply and demand thing. It's like 'Well, this is what they want me to do, this is what they want to hear. So I'll do more of this, cuz this is great... and they love me.' Suddenly people start giving you money as well. So then you've got money and you get used to this lifestyle. And you don't wanna take any risks cuz they've got you by the balls, and you've got all these little things that you've bought, or you're attached to. And you start spending all this money... And that's how they get ya!" - source

 

Thom Yorke

 

I stood in front of a hundred and one critics at a critic's convention and a critic asked me, "Miss Cho, isn't it true that your management asked you to lose weight to play the part of yourself in your own TV show?" Gail [the producer] grabbed the mike from me and said, "There is no truth in that whatsoever." I...was so...hungry.

 

Margaret Cho

 

"What do you think," said he, "of all things in the world would give me the greatest pleasure?" I was on the point of replying, removal from St. Helena, when he said, "To be able to go about incognito in London and other parts of England, to the restaurateurs, with a friend, to dine in public at the expense of half a guinea or a guinea, and listen to the conversation of the company; to go through them all, changing almost daily, and in this manner, with my own ears, to hear the people express their sentiments, in their unguarded moments, freely and without restraint; to hear their real opinion of myself, and of the surprising occurrences of the last twenty years." I observed, that he would hear much evil and much good of himself. "Oh, as to the evil," replied he, "I care not about that. I am well used to it. Besides, I know that the public opinion will be changed. The nation will be just as much disgusted at the libels published against me, as they formerly were greedy in reading and believing them. This," added he, "and the education of my son, would form my greatest pleasure. It was my intention to have done this, had I reached America. The happiest days of my life were from sixteen to twenty, during the semestres, when I used to go about, as I have told you I should wish to do, from one restaurateur to another, living moderately, and having a lodging for which I paid three louis a month. They were the happiest days of my life. I was always so much occupied, that I may say I never was truly happy upon the throne."

 

Napoleon Bonaparte

 

"Money! Money in Oz!" cried the Tin Woodman. "What a queer idea! Did you suppose we are so vulgar as to use money here?"
"Why not?" asked the shaggy man.
"If we used money to buy things with, instead of love and kindness and the desire to please one another, then we should be no better than the rest of the world," declared the Tin Woodman. "Fortunately money is not known in the Land of Oz at all. We have no rich, and no poor; for what one wishes the others all try to give him, in order to make him happy, and no one in all Oz cares to have more than he can use."
"Good!" cried the shaggy man, greatly pleased to hear this. "I also despise money — a man in Butterfield owes me fifteen cents, and I will not take it from him. The Land of Oz is surely the most favored land in all the world, and its people the happiest. I should like to live here always."

 

L. Frank Baum