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Richard Russo

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At the risk of appearing disingenuous, I don’t really think of myself as "writing humor." I’m simply reporting on the world I observe, which is frequently hilarious. Here’s the thing. Most of what we witness in life is too complex to take in whole. Because of this we unconsciously edit what we see, select what to really record and what to ignore, which is why people who look at the same thing don’t necessarily see the same thing...Comic writers don’t so much invent funny things as strip away the distractions, the impediments to laughter.
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"Interview with Richard Russo". Failbetter.com, Volume II, Issue III. Summer/Fall 2001. Retrieved on September 24, 2009. 

 
Richard Russo

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I never worry about people not taking my work seriously as a result of the humor. In the end, the comic’s best trick is the illusion that comedy is effortless. That people imagine what he’s doing is easy is an occupational hazard. Cary Grant never won an Oscar, primarily, I suspect, because he made everything look so effortless. Why reward someone for having fun, for being charming? In "serious" fiction (as in "serious" film) you can feel the weight of the material. You expect to see the effort and the strain of all that heavy lifting, and we reward the effort as much as the success. Comedy is often just as serious, and to ignore that seriousness is misguided, of course, but most writers with comic world views have accustomed themselves to being sold at a discount. Most of us wouldn’t have it any other way.

 
Richard Russo
 

I often get letters, quite frequently, from people who say how they like the programmes a lot, but I never give credit to the almighty power that created nature. To which I reply and say, "Well, it's funny that the people, when they say that this is evidence of the Almighty, always quote beautiful things. They always quote orchids and hummingbirds and butterflies and roses." But I always have to think too of a little boy sitting on the banks of a river in west Africa who has a worm boring through his eyeball, turning him blind before he's five years old. And I reply and say, "Well, presumably the God you speak about created the worm as well," and now, I find that baffling to credit a merciful God with that action. And therefore it seems to me safer to show things that I know to be truth, truthful and factual, and allow people to make up their own minds about the moralities of this thing, or indeed the theology of this thing.

 
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"The best thing for being sad," replied Merlin, beginning to puff and blow, "is to learn something. That's the only thing that never fails. You may grow old and trembling in your anatomies, you may lie awake at night listening to the disorder of your veins, you may miss your only love, you may see the world about you devastated by evil lunatics, or know your honour trampled in the sewers of baser minds. There is only one thing for it then — to learn. Learn why the world wags and what wags it. That is the only thing which the mind can never exhaust, never alienate, never be tortured by, never fear or distrust, and never dream of regretting. Learning is the only thing for you. Look what a lot of things there are to learn."

 
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..when I see people making quote ‘abstract’ painting, I think it’s just a dialogue and a dialogue isn’t enough, that is to say, there is you painting and this canvas. I think there has to be a third thing, it has to be a trialogue. Whether that third thing - it must be, to reverberate and make trouble, you have to have trouble and contradictions, it has to become complex because life is complex, emotions are complex, - whether that third element is a still life of something, or an idea or a concept, in each case it has to be a trialogue and above all has to involve you.. ..The real thing that matters is how involved you are in that.

 
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Distractions have never prevented a Writing Writer Who Writes from writing; distractions are an excuse proffered by Non-Writing Non-Writers Who are Not-Writing for why they are not writing.

 
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