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Rex Murphy

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"The only difference between the Campbell campaign and the retreat from Moscow was that Napoleon wasn’t required on the way back to drop in on MuchMusic and conceptualize the fiasco with Ziggy."

 
Rex Murphy

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At the beginning of a campaign it is important to consider whether or not to move forward; but when one has taken the offensive it is necessary to maintain it to the last extremity. However skilfully effected a retreat may be, it always lessens the morale of an army, since in losing the chances of success, they are remitted to the enemy. A retreat, moreover, costs much more in men and materials than the bloodiest engagements, with this difference, also, that in a battle the enemy loses practically as much as you do; while in a retreat you lose and he does not.

 
Napoleon Bonaparte
 

Rule 1, on page 1 of the book of war, is: "Do not march on Moscow". Various people have tried it, Napoleon and Hitler, and it is no good. That is the first rule. I do not know whether your Lordships will know Rule 2 of war. It is: "Do not go fighting with your land armies in China". It is a vast country, with no clearly defined objectives.

 
Bernard Montgomery
 

John asked what he could do to help my campaign for governor.
"Write a campaign song," I replied.
"Okay," said John, "what's the theme?"
"Our campaign slogan is 'Come together, join the party.'"
"Great title," said John. He grabbed his guitar and started improvising.

 
Timothy Leary
 

I wasn't into glam-rock. I was just into him. I never really saw him as glam-rock. Actually, I liked T-Rex too. Electric Warrior was great. But Bowie made me think. I just got lost in it—Man Who Sold the World, Hunky Dory, Ziggy Stardust—that era. I thought it was just magical, although I was dead impressionable then. But I though he looked brilliant—I still do. I hated the following he had though, especially around the Aladdin Sane era—it just destroyed his mystique. He doesn't hold that mystique for me now—he's just a normal bloke, I suppose. But I remember in 1972 when he was on the telly doing "Starman"—I couldn't believe it! It was like nothing I'd ever seen before. It's meant to be a bit of an embarrassing admission now to have liked that kind of thing, but I really did. And I remember when I grew out of it and I couldn't get into Ziggy Stardust the way I used to. I felt really sad about it. I played it and nothing happened.

 
Ian McCulloch
 

He was a man with a thousand stories. This was one of his favorites. In Japan for an international conference on religion, Campbell overheard another American delegate, a social philosopher from New York, say to a Shinto priest, "We've been now to a good many ceremonies and have seen quite a few of your shrines. But I don't get your ideology. I don't get your theology." The Japanese [Shinto priest] paused as though in deep thought and then slowly shook his head. "I think we don't have ideology," he said. "We don't have theology. We dance." And so did Joseph Campbell — to the music of the spheres.

 
Joseph Campbell
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