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Randall Jarrell

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The usual bad poem in somebody’s Collected Works is a learned, mannered, valued habit, a habit a little more careful than, and little emptier than, brushing one’s teeth.
--
“William Carlos Williams”, p. 216

 
Randall Jarrell

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Really poor children in really poor neighborhoods have no habits of working and nobody around them who works. So they literally have no habit of showing up on Monday. They have no habit of staying all day. They have no habit of "I do this and you give me cash", unless it's illegal.

 
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Writers the most learned, the most accurate in details, and the soundest in tendency, frequently fall into a habit which can neither be cured nor pardoned — the habit of making history into the proof of their theories.

 
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The words, the style always reflects a habit of mind. And the habit of mind comes in from a different angle. The habit of mind uses the colloquial here and uses the joke there. And then creates some discordant music and then something strange and wonderful happens.
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I have a habit to be reborn as a writer. So if I find myself in a crisis that I have never experienced, I can be born, or I can write something, by the power of the habit. Even a soldier or a farmer or a fisherman can be reborn by the power of the habit when he meets the greatest crisis of his life.

 
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In giving directions, these people — in fact, the lower classes of Mexicans generally — are also in the habit of using very odd gesticulations, altogether peculiar to themselves. Instead of pointing with their hands and fingers, they generally employ the mouth, which is done by thrusting out the lips in the direction of the spot, or object, which the inquirer wishes to find out — accompanied by aqui or alli esta. This habit of substituting labial gestures for the usual mode of indicating, has grown from the use of the sarape, which keeps their hands and arms perpetually confined.

 
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