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Ralph Bakshi

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I think it's impossible to do Tolkien. It's impossible to get the brilliance of what he wrote about -- just the medium, the book, the novel gives you other areas of imagination (that) film can't allow. Film has to describe and show. With the brilliance of his words and his scenes, you imagine whatever you want. I'm sure various people imagine different things.
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Ralph Bakshi Biography, Internet Movie Database; original source unidentified, date unidentified

 
Ralph Bakshi

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When I made my first film, I think the thing was probably helped me the most was that it was such an unusual thing to do in the early 50s for someone who actually go and make a film. People thought it was impossible. It really is terribly easy. All anybody needs is a camera, a tape recorder, and some imagination.

 
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People often repeat the fallacy that "film is a passive medium". The statement is usually elaborated like this: "When I read a story in a book, I have to use my imagination to conjure up what the characters look like, the sound of their voices, the appearance of their surroundings, the house, the landscape. When I see a movie, those things are all nailed down for me, so I don't feel as involved." What the person is describing are the most obvious aspects of a given story, that is, its physical properties. They are, in fact, the least interesting and least important components of a story. I do not read books in order to imagine the physical appearance of things.

 
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I don't like film. Film is too clankingly real, too permanent, too industrial for me. ... The worst thing about film, from my point of view, is that it cripples illusions which I have encouraged people to create in their heads. Film doesn't create illusions. It makes them impossible. It's a bullying form of reality, like the model rooms in the furniture department of Bloomingdale's.

 
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...it is impossible that our rational part should be other than spiritual; and if any one maintain that we are simply corporeal, this would far more exclude us from the knowledge of things, there being nothing so inconceivable as to say that matter knows itself. It is impossible to imagine how it should know itself. 72

 
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Some forms of Kantianism put great weight on “what we can imagine” holding that this can be a source of insight into necessary connections. Thus various of Kant’s arguments about space and time depend on the purported fact that it is impossible for us to imagine certain things: we can know, Kant claims, a priori that space has only three dimensions because we cannot imagine it as having more than three dimensions. History in the form of non-Euclidean geometry and modern physics has put paid to that particular line of argument, but in general we should beware of depending too much on “What we can imagine?,” especially in politics. As Nietzsche puts it somewhere, sometimes the fact that you can’t imagine a situation in which things are very different from the way they are now is not an especially good argument for the claim that they must be as they now are, but, rather, represents a failure of your powers about which you should feel mildly apologetic.

 
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