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Rainer Maria Rilke

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He [Cézanne] reproduced himself with so much humble objectivity, with the unquestioning, matter of fact interest of a dog who sees himself in a mirror and thinks: there’s another dog.
--
Letter to his wife, reprinted in Rilke’s Letters on Cézanne (1952, trans. 1985). (October 23, 1907)

 
Rainer Maria Rilke

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The citizen who thinks he sees that the commonwealth's political clothes are worn out, and yet holds his peace and does not agitate for a new suit, is disloyal, he is a traitor. That he may be the only one who thinks he sees this decay, does not excuse him: it is his duty to agitate anyway, and it is the duty of others to vote him down if they do not see the matter as he does.

 
Mark Twain
 

The citizen who thinks he sees that the commonwealth's political clothes are worn out, and yet holds his peace and does not agitate for a new suit, is disloyal, he is a traitor. That he may be the only one who thinks he sees this decay, does not excuse him: it is his duty to agitate anyway, and it is the duty of others to vote him down if they do not see the matter as he does.

 
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The worst of his life is not that he thinks that it is living, but that he is satisfied with it, and the most awful thing of life is that he thinks that is how it should be. He can't understand anyone who thinks differently from him, and when he can't understand anything he says: I'm sorry, but I'm only a humble joiner. It's all he can do to accept that fact that I am studying the history of literature and Scandinavian languages: he accepts it not because I will thereby become mentally enriched, but because he thinks that it will enable me to live an easier life that he. Easier but not different.

 
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It is not what the artist does that counts. But what he is. Cézanne would never have interested me if he had lived and thought like Jacques-Émile Blanche, even if the apple he had painted had been ten times more beautiful. What interests us is the anxiety of Cézanne, the teaching of Cézanne, the anguish of Van Gogh, in short the inner drama of the man. The rest is false.

 
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There science is dealing with physical facts, in art we are dealing with psychic effects. With this I come to my first statement: The source of art – that is, where it comes from – is the discrepancy between physical fact and psychic effect. That’s what I’m talking about. When I want to speak about why I am doing the same thing now, which is squares, for – how long? – 19 years. Because there is no final solution in any visual formulation. Although this may be just a belief on my part, I have some assurances that that is not the most stupid thing to do, through Cézanne, whom I consider as one of the greatest painters. From Cézanne we have, so the historians tell us – 250 paintings of Mont St. Victoire. But we know that Cézanne has left in the fields often more than he took home because he was disappointed with his work. So we may conclude he did many more than 250 of the same problem.

 
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