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R. L. Stine

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Yes, I was a funny guy for a long time. When I started out, I just wanted to write humor. I wrote humor for kids. My very first book was called How to be Funny. It was about how to get big laughs at the dinner table and how to get laughs in school. Parents hated this book. I wrote joke books, like A Hundred and One Monster Jokes, and other joke books for years. I did maybe a hundred of them. I had a great time, and I did this humor magazine called Bananas for ten years. It was sort of Mad Magazine, but it was all in color, and it was great. That was all I ever wanted to do. I couldn't believe it. When that ended, I figured I would just coast for the rest of my career. That was it. I'd already done what I wanted to do. I had no idea what was coming up.
--
Reading Rockets interview

 
R. L. Stine

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The result is a horrible mess of a movie, without shape, trajectory or purpose — a one joke movie, if it had one joke. The two characters wander witlessly past the bizarre backdrops of Las Vegas (some real, some hallucinated, all interchangeable) while zonked out of their minds. Humor depends on attitude. Beyond a certain point, you don't have an attitude, you simply inhabit a state. I've heard a lot of funny jokes about drunks and druggies, but these guys are stoned beyond comprehension, to the point where most of their dialog could be paraphrased as "eh?"... As for Depp, what was he thinking he made this movie? He was once in trouble for trashing a New York hotel room, just like the heroes of Fear and Loathing in Las Vegas. What was that? Research? After River Phoenix died of an overdose outside Depp's club, you wouldn't think Depp would see much humor in this story — but then, of course, there *isn't* much humor in this story.

 
Roger Ebert
 

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I was trying to solve the problem of this book. (My Life as a Man) When it seemed I never would, I stopped and wrote Our Gang; when I tried again and still couldn't write it, I stopped and wrote the baseball book; then while finishing the baseball book, I stopped to write The Breast. It was as though I were blasting my way through a tunnel to reach the novel I couldn't write. Each of one's books is a blast, clearing the way for what's next.

 
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