Friday, March 29, 2024 Text is available under the CC BY-SA 3.0 licence.

Peter Doherty

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It's one and the same, one and the same
What's the use between death and glory?
Hard to choose between death and glory
Happy endings they never bored me
Happy endings, they still don't bore me
They have a way, a way to make you pay
And to make you toe the line
Now I'm severing the ties because
I'm so clever but clever ain't wise
--
"F**k Forever"

 
Peter Doherty

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Hello everyone!
I suppose that you think that nothing much is happening at the moment. Ah ah ah! Well, that's what I want to talk to you all about: endings. Now, endings normally happen at the end. But, as we all know, endings are just beginnings. You know, once these things really get started, it's jolly hard to stop them again.
However, as we have all come this far, I think, under the circumstances, the best solution is that we all just keep going. Let's keep going inside, never an ending. Let's remember that this world wants fresh beginnings. I feel here, in this Country, and throughout the world, we are crying out for beginnings, beginnings!
We never want to hear this word "endings". I know you don't want to sit down. Of course, you're looking for the good start. Of course you're looking for a fresh start.
Isn't that charming? Do you know, I really feel I could dance...

 
Mike Oldfield
 

Daisy was a consciously happy young woman without any of the usual endowments that make for conscious happiness, money apart. She was not pretty, she was not clever, she had no friends, no talents, nor even an imagination to make her think she was happy when she was really miserable. As she was never miserable, she had no need of an imagination.

 
Laura Riding
 

Greek tragedy met her death in a different way from all the older sister arts: she died tragically by her own hand, after irresolvable conflicts, while the others died happy and peaceful at an advanced age. If a painless death, leaving behind beautiful progeny, is the sign of a happy natural state, then the endings of the other arts show us the example of just such a happy natural state: they sink slowly, and with their dying eyes they behold their fairer offspring, who lift up their heads in bold impatience. The death of Greek tragedy, on the other hand, left a great void whose effects were felt profoundly, far and wide; as once Greek sailors in Tiberius' time heard the distressing cry 'the god Pan is dead' issuing from a lonely island, now, throughout the Hellenic world, this cry resounded like an agonized lament: 'Tragedy is dead! Poetry itself died with i! Away, away with you, puny, stunted imitators! Away with you to Hades, and eat your fill of the old masters' crumbs!'

 
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The bourgeoisie loves so-called “positive” types and novels with happy endings since they lull one into thinking that it is fine to simultaneously acquire capital and maintain one’s innocence, to be a beast and still be happy.

 
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Those who have a lively imagination are a great deal more pleased with themselves than the wise can reasonably be. They look down upon men with haughtiness; they argue with boldness and confidence, others with fear and diffidence; and this gaiety of countenance often gives them the advantage in the opinion of the hearers, such favor have the imaginary wise in the eyes of judges of like nature. Imagination cannot make fools wise; but she can make them happy, to the envy of reason which can only make its friends miserable; the one covers them with glory, the other with shame. What but this faculty of imagination dispenses reputation, awards respect and veneration to persons, works, laws, and the great? How insufficient are all the riches of the earth without her consent! 82

 
Blaise Pascal
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