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Paul Williams

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Our paths have crossed and parted,
This love affair was started
Long, long ago.
This love survives the ages
In its story lives are pages
Fill them up, may ours turn slow.
--
"Old Souls"

 
Paul Williams

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Love's arms were wreathed about the neck of Hope,
And Hope kiss'd Love, and Love drew in her breath
In that close kiss and drank her whisper'd tales.
They said that Love would die when Hope was gone.
And Love mourn'd long, and sorrow'd after Hope;
At last she sought out Memory, and they trod
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Alfred (Lord) Tennyson
 

One and one half wandering Jews,
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To whole room her eyes are numb,
As she reads from a true love story.
From the pages of a book her lover comes,
Her heart bleeds, it's a true love story.

 
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I love almost all of Stanley Kubrick, there’s almost no Stanley Kubrick I don’t love. I love Lolita, I love Dr. Strangelove. I love A Clockwork Orange, obviously. I even like a lot of Barry Lyndon (laughs). And early stuff, like The Killing and Paths of Glory. … It’s ridiculous. Look, he made the best comedy ever, he may have made one of the best science fiction movies ever, he made the best horror movie ever. I couldn’t watch the end of The Shining. I went through half The Shining for years before I could finish, because I’m a writer and as soon as he starts writing “All work and no play makes Jack a dull boy,” I had to turn it off. It’s almost like Picasso in that he mastered so many different genres. … he took his time and patience and he had a crew of like 18 people. They were very handmade movies these were not large behemoths that he did; they were very thoughtful and his editing process was long. He’s kind of without peer really. If I was gonna settle on a director, probably Kubrick.

 
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The only difference [between promoting a book and a CD] is when I do the readings. My fans are out there in full force, but it's nice to have all the kids there as well. I really love this evolution of writing. Writing is my core, and writing the book was like writing a really long love song. I have 31 pages to elaborate instead of three minutes. And my target audience, although it is children, I don't talk down to them. I want the parents to find it interesting. [Children] sit in my lap. I love it. I've always tried to turn an arena into an intimate setting. So, if I'm already in an intimate setting . . . You get to talk to a few hundred people, and you get to really bring them in, to have an exchange with them that often doesn't occur on the stage.

 
Gloria Estefan
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