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Painting from nature is not copying the object, it is realizing sensations.
--
What I know or have seen of his life, Joachim Gasquet, as quoted in Joachim Gasquet’s Cézanne, - a Memoir with Conversations, Thames and Hudson, London 1991 p. 46

 

Paul Cezanne

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If you condemn painting, which is the only imitator of all visible works of nature, you will certainly despise a subtle invention which brings philosophy and subtle speculation to the consideration of the nature of all forms — seas and plains, trees, animals, plants and flowers — which are surrounded by shade and light. And this is true knowledge and the legitimate issue of nature; for painting is born of nature — or, to speak more correctly, we will say it is the grandchild of nature; for all visible things are produced by nature, and these her children have given birth to painting. Hence we may justly call it the grandchild of nature and related to God.

 

Leonardo da Vinci

 

Now Art, used collectively for painting, sculpture, architecture and music, is the mediatress between, and reconciler of, nature and man. It is, therefore, the power of humanizing nature, of infusing the thoughts and passions of man into everything which is the object of his contemplation.

 

Samuel Taylor Coleridge

 

The military art is not an accomplishment, an art for dilettante, a sport. You do not make war without reason, without an object, as you would give yourself up to music, painting, hunting, lawn tennis, where there is no great harm done whether you stop altogether or go on, whether you do little or much. Everything in war is linked together, is mutually interdependent, mutually interpenetrating. When you are at war you have no power to act at random. Each operation has a raison d'etre, that is an object; that object, once determined, fixes the nature and the value of the means to be resorted to as well as the use which ought to be made of the forces.

 

Ferdinand Foch

 

As you are aware, no perceptions obtained by the senses are merely sensations impressed on our nervous systems. A peculiar intellectual activity is required to pass from a nervous sensation to the conception of an external object, which the sensation has aroused. The sensations of our nerves of sense are mere symbols indicating certain external objects, and it is usually only after considerable practice that we acquire the power of drawing correct conclusions from our sensations respecting the corresponding objects.

 

Hermann von Helmholtz

 

There is imagery. Symbolism is a difficult idea. I’m not a symbolist. In other words, these are painting experiences. I don’t decide in advance that am going to paint a definite experience, but in the act of painting, it becomes a genuine experience for me. It’s not symbolism any more than it’s calligraphy. I’m not painting bridge constructions, skyscrapers or laundry tickets.. ..I don’t paint a given object – a figure or a table; I paint an organization that becomes a painting.. ..it’s not these things that get me started on a painting.. (1958)

 

Franz Kline