It is noticeable that rejection and selection no longer operate in terms of merely quality but on kind. This is exactly the situation confronting the Impressionists who attempted to show their works in the salon of 1865.
Patrick Swift
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The concept of logical thinking is selection and this is brought about by the processes of acceptance and rejection. Rejection is the basis of logical thinking.
Edward de Bono
Two pictures painted in the year 1907 can conveniently be taken as the starting point of twentieth-century art. They are Matisse's Blue Nude and Picasso's Demoiselles d'Avignon; and both these cardinal, revolutionary pictures represent the nude. The reason is that the revolt of twentieth-century painters was not against academicism: that had been achieved by the impressionists. It was a revolt against the doctrine, with which the impressionists implicitly agreed, that the painter should be no more than a sensitive and well-informed camera. And the very elements of symbolism and abstraction that made the nude an unsuitable subject for the impressionists commended it to their successors. When art was once more concerned with concepts rather than sensations, the nude was the first concept that came to mind.
Kenneth Clark
I would not want you to suppose that my rejection of Allen Forte's theory of pitch-class sets implies a rejection of the notion that there can be such a thing as a pitch-class set. It is only when one defines everything in terms of pitch-class sets that the concept becomes meaningless.
George Perle
I grew up in the Bible Belt — not the buckle end, as the cliche goes, but the other end where all the holes are. You know what kind of holes. I don't mean to underestimate them, but if you laugh at these idiots enough — show them up as the phonies most of them are — they'll go away.
I'm concerned about another kind of religious fundamentalism: environmentalism. The Greenies have no more respect for scientific truth and individual liberty than the Goddies do. Both operate on faith, rather than fact. And neither of them has any qualms about dusting off the rack, the pincers, the Iron Maiden, and the red hot branding irons in order to see their mythology ensconced as beyond question.L. Neil Smith
It is valuable copyrights that are responsible for terms being extended. Mickey Mouse and "Rhapsody in Blue." These works are too valuable for copyright owners to ignore. But the real harm to our society from copyright extensions is not that Mickey Mouse remains Disney's. Forget Mickey Mouse. Forget Robert Frost. Forget all the works from the 1920s and 1930s that have continuing commercial value. The real harm of term extension comes not from these famous works. The real harm is to the works that are not famous, not commercially exploited, and no longer available as a result.
Lawrence Lessig
Swift, Patrick
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