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Pablo Picasso

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It would be very curious to record by means of photographs, not the stage of the picture, but its metamorphoses. Perhaps one would perceive the path taken by the mind in order to put its dreams into a concrete form. But what is really very curious is to observe that fundamentally the picture does not change, that despite appearances the initial vision remains almost intact.
--
Boisgeloup, winter 1934, quoted in Letters of the great artists – from Blake to Pollock -, Richard Friedenthal, Thames and Hudson, London, 1963, p. 256 (translation Daphne Woodward)

 
Pablo Picasso

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An example: if I compose a picture using as objects a scrap of bark, a scrap of butterfly wing and a purely imaginary form, you probably won’t recognise the bark, or the butterfly wing, and you’ll say: ‘What does this stand for? It is an abstract picture. No it’s a representational picture’.. ..There is no such thing as ‘abstract’, or ‘concrete’ either. There is a good picture and a bad picture. There is the picture that moves you and the picture that leaves you cold.. ..A picture has a value in itself, like a musical score, like a poem.

 
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Close your bodily eye, so that you may see your picture first with the spiritual eye. Then bring to the light of day that which you have seen in the darkness so that it may react upon others from the outside inwards. A picture must not be invented but felt. Observe the form exactly, both the smallest and the large and do not separate the small from the large, but rather the trivial from the important.

 
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Just as a lamp waved in darkness creates a figure of light in the air, which remains for as long as the lamp repeats its motion exactly, so the universe retains its shape by repetition: the universe is Time's body. And how will we perceive this body? And how operate on it? Not by the means we perceive extension, relation, color, form — the qualities of Space. ... No: but by the means we perceive duration and repetition and change: by Memory.

 
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