Wednesday, August 21, 2019 Text is available under the CC BY-SA 3.0 licence.

Olof Palme

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My generation is haunted by the images of the Jewish children in the ghettos and the concentration camps. The crimes committed against them caused us grief that haunts us through our lives. But for the very same raison d'?tre we feel outraged by the images of persecuted Palestinian children, and this time it is Israel that is responsible for the offenses.

 
Olof Palme

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Around the world, the Jewish people were persecuted for centuries, and anti-Semitism in Europe culminated in an unprecedented Holocaust. Tomorrow, I will visit Buchenwald, which was part of a network of camps where Jews were enslaved, tortured, shot and gassed to death by the Third Reich. Six million Jews were killed -- more than the entire Jewish population of Israel today. Denying that fact is baseless, it is ignorant, and it is hateful. Threatening Israel with destruction or repeating vile stereotypes about Jews is deeply wrong, and only serves to evoke in the minds of Israelis this most painful of memories, while preventing the peace that the people of this region deserve. On the other hand, it is also undeniable that the Palestinian people -- Muslims and Christians -- have suffered in pursuit of a homeland. For more than sixty years they have endured the pain of dislocation. Many wait in refugee camps in the West Bank, Gaza, and neighboring lands for a life of peace and security that they have never been able to lead. They endure the daily humiliations large and small that come with occupation. So let there be no doubt: the situation for the Palestinian people is intolerable.

 
Barack Obama
 

Despite what the Palestinian public-relations industry, i.e. the western media might tell you, this isn't about territory, and it isn't about justice or human rights, because Arab societies don't know the meanings of those words. It's about Jew-hatred, as mandated by the Qur'an, and as preached in the mosques and taught to the children in Arab countries, day in and day out, generation after poisoned generation. The Arabs don't hate Jews because of Israel. They hate Israel because of Jews.

 
Pat Condell
 

Himmler chose certain camps and, together with Kaltenbrunner and Mueller, ordered the commandants of these camps to carry out the extermination program. This was done in the chain of command as I have just told you. I emphasize that it was Himmler to Kaltenbrunner to Mueller to Gluecks, who was also one of my subordinate generals, to the individual concentration camp commandants, who had been selected by Himmler to perform the exterminations. Otherwise, Himmler would have had to give the orders to me because I was technically in charge of the concentration camps. What I am trying to bring out is that although I am responsible for the camps, and the extermination program took place within these camps, I am not responsible for the extermination program itself, because these orders did not go through me, but went through the chain of individuals I have just mentioned.

 
Oswald Pohl
 

In accordance with the Sabean theories images were erected to the stars, golden images to the sun, images of silver to the moon, and they attributed the metals and the climates to the influence of the planets, saying that a certain planet is the god of a certain zone. They built temples, placed in them images, and assumed that the stars sent forth their influence upon these images, which are thereby enabled (to speak) to understand, to comprehend, to inspire human beings, and to tell them what is useful to them. They apply the same to trees which fall to the lot of these stars.

 
Maimonides
 

The poetic image is not a static thing. It lives in time, as does the poem. Unless it is the first image of the poem, it has already been prepared for by other images; and it prepares us for further images and rhythms to come. Even if it is the first image of the poem, the establishment of the rhythm prepares us musically for the music of the image. And if its first word begins the poem, it has the role of putting into motion all the course of images and music of the entire work, with nothing to refer to, except perhaps a title.

 
Muriel Rukeyser
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