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Neal Stephenson

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As a fantasy writer, he was not highly regarded (“one cannot call him profoundly mediocre without venturing so far out on the critical limb as to bend it to the ground,” “so derivative that the reader loses track of who he’s ripping off,” “to say he is tin-eared would render a disservice to a blameless citizen of the periodic table of the elements”).
Thanksgiving (prologue)

Neal Stephenson

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All passion is lost now. The world is mediocre, limp, without force. And madness and despair are a force. And force is a crime in the eyes of the fools, the weak and the silly who rule the roost. You are mediocre. Verloc, whose affair the police has managed to smother so nicely, was mediocre. And the police murdered him. He was mediocre. Everybody is mediocre. Madness and despair! Give me that for a lever, and I'll move the world. Ossipon, you have my cordial scorn. You are incapable of conceiving even what the fat-fed citizen would call a crime. You have no force.

Joseph Conrad

A writer's life is a highly vulnerable, almost naked activity. We don't have to weep about that. The writer makes his choice and is stuck with it. But it is true to say that you are open to all the winds, some of them icy indeed. You are out on your own, out on a limb. You find no shelter, no protection — unless you lie — in which case of course you have constructed your own protection and, it could be argued, become a politician.

Harold Pinter

I never yet have heard of a good man having fallen when he was trying to do Christ's will and trusting on Christ's help. Every fall without one exception came from venturing upon sinful ground or from venturing upon self-support.

Theodore L. Cuyler

Readers are less and less seen as mere non-writers, the subhuman “other” or flawed derivative of the author; the lack of a pen is no longer a shameful mark of secondary status but a positively enabling space, just as within every writer can be seen to lurk, as a repressed but contaminating antithesis, a reader.

Terry Eagleton

Chemists usually write about their chemical careers in terms of the different areas and the discrete projects in those areas on which they have worked. Essentially all my chemical investigations, however, are in only one area, and I tend to view my research not with respect to projects, but with respect to where I’ve been driven by two passions which I acquired in graduate school: I am passionate about the Periodic Table (and selenium, titanium and osmium are absolutely thrilling), and I am passionate about catalysis. What the ocean was to the child, the Periodic Table is to the chemist; new catalytic reactivity is, of course, my personal coelacanth.

K. Barry Sharpless
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