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Nathan Lane

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He is a theater animal who is ignited by his synergy with an audience. Audiences are only beginning to see the tip of the iceberg of what Nathan can do.
--
Lynne Meadow — reported in Michael Sommers (May 26, 1996) "Nathan In The Fast Lane, From Broadway to `Birdcage' to hosting - the Tonys, 'Forum' star rules", The Star-Ledger, p. 12.

 
Nathan Lane

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It is not enough to demand insight and informative images of reality from the theater. Our theater must stimulate a desire for understanding, a delight in changing reality. Our audience must experience not only the ways to free Prometheus, but be schooled in the very desire to free him. Theater must teach all the pleasures and joys of discovery, all the feelings of triumph associated with liberation.

 
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Synergy is the only word in our language which identifies the meaning for which it stands. Since the word is unknown to the average public, as I have already pointed out, it is not at all surprising that synergy has not been included in the economic accounting of our wealth transactions or in assessing our common wealth capabilities.

 
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This whole creation is essentially subjective, and the dream is the theater where the dreamer is at once scene, actor, prompter, stage manager, author, audience, and critic.

 
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I have become cautious. There is no fixed formula. Today audience's sensibilities are sharp. You can't feed them rubbish. They want to watch good films. The script has to be appealling. Even if it is larger than life, it has to be realistic. Audiences have to identify with what you are showing.

 
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