She’s extraordinary … She is creative and she is free, and most importantly, you believe her. … Her instincts are just like Meryl Streep’s. Natasha Lyonne has that ability — that good, intuitive instinct for the creation of another being in front of the camera … That’s the truth.
--
Tovah Feldshuh, as quoted in "Spoonful of Sugar : Natasha Lyonne’s Sweet Comeback" by Shira Levine, in Heeb Magazine (20 January 2009)Natasha Lyonne
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I'm not going to win an Oscar anytime soon. I'm not Meryl Streep.
Megan Fox
I loathe Meryl Streep. She was good in Silkwood, but she began to take herself very seriously. I'm reacting to the horrendous overpraise she has received. She is a calculated actress, a victim of her own WASP culture. I find her totally unconvincing. She has no passion. She has no deep elemental vibration. Jodie Foster is overpraised, too. I thought she was good in The Silence of the Lambs, and The Accused, but she's getting on my nerves.
Camille Paglia
Meryl Streep, in her Protestant way, is stuck on words; she flashes clever accents as a mask for her deeper failures. (And she cannot deliver a Jewish line; she destroyed Nora Ephron’s snappy dialogue in Hearburn.) Streep’s work doesn’t travel. Try dubbing her for movie houses in India: there’d be nothing left, just that bony, earnest horse face moving its lips. Imagine, on the other hand, lesser technicians like Hedy Lammarr, Rita Hayworth, Lana Turner: these women have an international and universal appeal, crossing the centuries. They would have been beautiful in Egypt, Greece, Rome, medieval Burgundy, or eighteenth-century Paris. Susan Hayward played Bathsheba. Try to picture Streep in a Bible epic! Streep is incapable of playing the great legendary or mythological roles. She has no elemental power, no smouldering sensuality. ?
Camille Paglia
In every human being one or the other of these two instincts is predominant: the active or positive instinct to offer hospitality, the negative or passive instinct to accept it. And either of these instincts is so significant of character that one might as well say that mankind is divisible into two great classes: hosts and guests.
Max Beerbohm
Her instinct, her mastery over the machine, was pure witchcraft. I cannot analyze this woman's acting. I only know that no one else so effectively worked in front of a camera.
Greta Garbo
Lyonne, Natasha
Lyons, Steve
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