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Muhammed Saeed al-Sahhaf

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He's my man. He was great. Somebody accused us of hiring him and putting him there. He was a classic.
--
George W. Bush, in an NBC interview (24 April 2003)

 
Muhammed Saeed al-Sahhaf

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A classic is classic not because it conforms to certain structural rules, or fits certain definitions (of which its author had quite probably never heard). It is classic because of a certain eternal and irrepressible freshness.

 
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It is ordinarily only a single work, or a single suite of works, which stamps the individual artist as a classic poet, artist, and so on. The same individual may have produces a great many different things, none of which stands in any relation to the classic. Homer has, for example, written a Batrachomyomachia, but this poem has not made him classic or immortal. To say that this is due to the insignificance of the subject is foolish, since the classic depends on perfect balance. If everything that determines a production as classic were to be found solely in the creative artist, then everything produced by him would have to be a classic, in a since similar to, though higher than, that in which bees always produce uniform kind of cells. To explain this by saying that he was more successful on the one case than the other, would be to explain exactly nothing. For, partly, it would be only a pretentious tautology, which only too often in life enjoys the honor of being regarded as an answer; partly, considered as an answer, it lies in another relativity than the one concerning which our question was asked. For it tells us nothing about the relation between form and content, and at best could be taken into account in connection with an inquiry into the formative activity alone.

 
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Moving fluidly and jabbing, slipping punches and countering rather than swarming over DeJesus, he stalked him, relentlessly wearing him down and coolly destroying him with savage punches to the body. For 11 rounds Duran bested the classic boxer at his own game, robbing him of his speed and his will to fight, and only then did he permit himself the luxury of putting DeJesus away.

 
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The great classic writers, it will be said, sought rather to proclaim universal truths than to leave their imprint on them.

 
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Mike Stone was Portland’s premier lawyer—if you were in deep, deep trouble. He took on clients other lawyers avoided—swim team coaches accused of child molestation, surgeons who had operated while three sheets to the wind, bank presidents caught embezzling millions…Just being defended by Stone was a sure sign that you were involved in something embarrassing or off-putting

 
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