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Morrissey

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Cleavage Sister: "What do you feel about erotic art?"
Morrissey:"I don't know much about rotting art?"
Cleavage Sister: "What about erotic music?"
Morrissey:"I know a great deal about rotting music."
--
Interview at a concert (RPLA - whose singer James Maker is a friend of Morrisseys)

 
Morrissey

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On the bus going home I heard a most fascinating conversation between an old man and woman. "What a thing, though," the old woman said. "You'd hardly credit it." "She's always made a fuss of the whole family, but never me," the old man said. "Does she have a fire when the young people go to see her?" "Fire?" "She won't get people seeing her without warmth." "I know why she's doing it. Don't think I don't," the old man said. "My sister she said to me, 'I wish I had your easy life.' Now that upset me. I was upset by the way she phrased herself. 'Don't talk to me like that,' I said. 'I've only got to get on the phone and ring a certain number,' I said, 'to have you stopped.'" "Yes," the old woman said, "And you can, can't you?" "Were they always the same?" she said. "When you was a child? Can you throw yourself back? How was they years ago?" "The same," the old man said. "Wicked, isn't it?" the old woman said. "Take care, now" she said, as the old man left her. He didn't say a word but got off the bus looking disgruntled.

 
Joe Orton
 

Jools Holland: "Knock Knock!"
Morrissey: "I'm not in!"
Jools: "Oh, come on."
Morrissey: "I refuse to open the door."

 
Morrissey
 

His language had a special vocabulary — not just "the SF" [God] and "epsilon" [child] but also "bosses" (women), "slaves" (men), "captured" (married), "liberated" (divorced), "recaptured" (remarried), "noise" (music), "poison" (alcohol), "preaching" (giving a mathematics lecture), "Sam" (the United States), and "Joe" (the Soviet Union). When he said someone had "died," Erdős meant that the person had stopped doing mathematics. When he said someone had "left," the person had died.

 
Paul Erdos
 

She's unafraid, too, of tackling more problematic areas of sexuality, as for instance when she dealt with cradle-snatching in "The Infant Kiss" and incest in "The Kick Inside". But not all that seems erotic in her music is about sex, as an EMI employee discovered when he found her working on the hypnotic "out-in-out-in" chant section of "Breathing" (from 1980's Never For Ever), and expressed outrage at EMI's young pop princess making such an overtly sexual record. The song is, of course, about breathing. Duhhh!

 
Kate Bush
 

I made this big statement saying, "I've left The Libertines." A couple of people said, "You can't do that! You're such a great band! What are you gonna do about Brixton?" And some people said, "Well, I'd rather be here than Brixton." There's no reason you can't do both. If I was 16 or 17 and Morrissey opened his front door to me and let me go and listen to him and chat to him it would be a joy. Why not? It's possible. I don't really have that much else going on in my life.

 
Peter Doherty
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