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Milton Babbitt

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This compositional variety is mediated by a highly redundant set structure, a second-order all-combinatorial set; each set form is hexachordally equivalent to or totally disjunct from fifteen other set forms, so that one-third of all the available set forms belong to a collection of sets which are hexachordally aggregate forming, that is, hexachordally identical.
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On Igor Stravinsky's Movements. Perspectives of new music, Spring-Summer 1964

 
Milton Babbitt

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