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Michael Korda

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The fastest way to succeed is to look as if you're playing by somebody else's rules, while quietly playing by your own.
--
As quoted in Powered by Instinct : 5 Rules for Trusting Your Guts (2003) by Kathy Kolbe, p. 136

 
Michael Korda

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In a lot of classical playing there isn't much expressiveness: I don't hear a voice in the playing. What I really admire about jazz musicians is that they develop a sound early on and it's unique to them. Classical players are screened from that by always playing other people's notes.

 
Joanna MacGregor
 

From the point of view of the practice or application of rules four successive stages can be distinguished.
A first stage of a purely motor and individual character, during which the child handles the marbles at the dictation of his desires and motor habits. This leads to the formation of more or less ritualized schemas, but since play is still purely individual, one can only talk of motor rules and not of truly collective rules.
The second may be called egocentric for the following reasons. This stage begins at the moment when the child receives from outside the example of codified rules, that is to say, some time between the ages of two and five. But though the child imitates this example, he continues to play either by himself without bothering to find play-fellows, or with others, but without trying to win, and therefore without attempting to unify the different ways of playing. In other words, children of this stage, even when they are playing together, play each one "on his own " (everyone can win at once) and without regard for any codification of rules. This dual character, combining imitation of others with a purely individual use of the examples received, we have designated by the term Egocentrism.
A third stage appears between 7 and 8, which we shall call the stage of incipient cooperation. Each player now tries to win, and all, therefore, begin to concern themselves with the question of mutual control and of unification of the rules. But while a certain agreement may be reached in the course of one game, ideas about the rules in general are still rather vague. In other words, children of 7-8, who belong to the same class at school and are therefore constantly playing with each other, give, when they are questioned separately, disparate and often entirely contradictory accounts of the rules observed in playing marbles.
Finally, between the years of 11 and 12, appears a fourth stage, which is that of the codification of rules. Not only is every detail of procedure in the game fixed, but the actual code of rules to be observed is known to the whole society. There is remarkable concordance in the information given by children of 10-12 belonging to the same class at school, when they are questioned on the rules of the game and their possible variations.

 
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It (democracy) is far more than merely participating in free and fair elections for a new government. It is about playing by a set of rules, respecting those rules and accepting the result even when it may not be what one had hoped for.

 
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Ministries without it are usually the ones playing it safe, doing only what is sure to succeed.

 
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You can be ruthless by playing football and one-touch football. Sometimes we get confused between desire and playing football. There is a fine line and sometimes we could pass the ball to each other a bit better. Football is a team effort and sometimes when you're not playing well together you need to go back to basics and play as a team.

 
Thierry Henry
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