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Michael Chabon

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[I]n 1938, Superman appeared. He had been mailed to the offices of National Periodical Publications from Cleveland, by a couple of Jewish boys who had imbued him with the powers of a hundred men, of a distant world, and of the full measure of their bespectacled adolescent hopefulness and desperation.
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Part II, ch. 1

 
Michael Chabon

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In the January, 1933 issue of "SCIENCE FICTION" appeared a story I had written in 1932 entitled, "The Reign of the Superman." I used the pseudonym "Herbert S. Fine" which combined the name of a cousin of mine together with my mother's maiden name.
After the publication of "Reign of the Superman", it occurred to me that a different version of Superman could be the basis of an extremely powerful and successful comic book. And so I originated, together with Joe Shuster, the comic book "THE SUPERMAN", back in 1933.

 
Jerry Siegel
 

I do believe that man is a rope between animal and superman. But the superman I'm thinking of isn't Nietzsche's. The real superhuman, man or woman, is the person who's rid himself of all prejudices, neuroses, and psychoses, who realizes his full potential as a human being, who acts naturally on the basis of gentleness, compassion, and love, who thinks for himself and refuses to follow the herd. That's the genuine dyed-in-the-wool superman.

 
Philip Jose Farmer
 

As a science fiction fan, I have long been very familiar with the various themes in the field. The superman theme has been one of them ever since Samson and Hercules. I just sat down and wrote a story of that type — only in this first story, the Superman was a villain.
A couple of months after I published this story, it occurred to me that a Superman as a hero rather than as a villain might make a great comic strip character in the vein of Tarzan, only more super and sensational than that great character. Joe and I drew it up as a comic book.

 
Jerry Siegel
 

The accepted understanding of what happened in Auvers among the people who knew him was that he was killed accidentally by a couple of boys and he decided to protect them by accepting the blame. … These two boys, one of whom was wearing a cowboy outfit and had a malfunctioning gun that he played cowboy with, were known to go drinking at that hour of day with Vincent. … So you have a couple of teenagers who have a malfunctioning gun, you have a boy who likes to play cowboy, you have three people probably all of whom had too much to drink. … It's really hard to imagine that if either of these two boys was the one holding the gun — which is probably more likely than not — it's very hard to imagine that they really intended to kill this painter.

 
Vincent van Gogh
 

The accepted understanding of what happened in Auvers among the people who knew him was that he was killed accidentally by a couple of boys and he decided to protect them by accepting the blame. … These two boys, one of whom was wearing a cowboy outfit and had a malfunctioning gun that he played cowboy with, were known to go drinking at that hour of day with Vincent. … So you have a couple of teenagers who have a malfunctioning gun, you have a boy who likes to play cowboy, you have three people probably all of whom had too much to drink. … It's really hard to imagine that if either of these two boys was the one holding the gun — which is probably more likely than not — it's very hard to imagine that they really intended to kill this painter.

 
Vincent Van Gogh
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