Wednesday, April 24, 2024 Text is available under the CC BY-SA 3.0 licence.

Merlin Mann

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Being consistent is WAY less interesting than being yourself. And if you're not interesting? Good luck with your Big Consistency Project.
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Merlin Mann

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“Try to be a man about whom nothing is known,” our father said, when we were young. Our father said several other interesting things, but we have forgotten what they were. “Keep quiet,” he said. That we remember. He wished more quiet. One tends to want that, in a National Park. Our father was a man about whom nothing was known. Nothing is known about him still. He gave us the recipes. He was not very interesting. A tree is more interesting. A suitcase is more interesting. A canned good is more interesting. When we sing the father hymn, we notice that he was not very interesting. The words of the hymn notice it. It is explictly commented upon, in the text.

 
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History is always written from the viewpoints of the leaders. And increasingly, in our age, war leaders do not get shot at with any serious consistency. Leaders make momentous, world-encompassing historical decisions. It is your average anonymous soldier, or pilot, or naval gunnery rating who has to carry them out on the ground. Where there is often a vast difference between grandiose logic and plans and what takes place on the terrain. What it is that makes a man go out into dangerous places and get himself shot at with increasing consistency until finally he dies, is an interesting subject for speculation. And an interesting study. One might entitle it, THE EVOLUTION OF A SOLDIER.

 
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Too much consistency is as bad for the mind as it is for the body. Consistency is contrary to nature, contrary to life. The only completely consistent people are the dead. Consistent intellectualism and spirituality may be socially valuable, up to a point; but they make, gradually, for individual death.

 
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They say the bad guys are more interesting to play but there is more to it than that — playing the good guys is more challenging because it's harder to make them interesting.

 
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I think he's a very good technician. And he has something in Psycho, he had some moments. Psycho is one of his most interesting pictures because he had to make the picture very fast, with very primitive means. He had little money, and this picture tells very much about him. Not very good things. He is completely infantile, and I would like to know more — no, I don't want to know — about his behaviour with, or, rather, against women. But this picture is very interesting.

 
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