We were aware of her profile, and it was… first, it’s artistic: can she do it? Is she capable of handling this? Can she handle it emotionally? The song. Because it’s a very emotional song. Can she handle it melodically? Does she have the range for it? Second, now then, you’ve got that, now you look to see…because it’s a very strange duet, and I’ve always said it was meant to be a duet. I had the song in ’86, and I don’t care what anybody else says; I know it was my song, it was given to me in ’86, I was gonna do it, it was always gonna be a duet, and I think the only real life of it is a duet. And that’s my opinion, and my opinion only. That’s it. But when it’s a duet, it’s a definitive duet. And then because of how it’s a call-and-response duet, you needed the timbre of the voices. If you get someone with the same timbres… I’m being analytical, but that’s exactly why we picked Marion Raven. And then on the fourth hand… what, she’s twenty-two years old? She can get MTV where I can’t!
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On working with Marion Raven in a duet performance of "It's All Coming Back to Me Now".Meat Loaf
Alla Pugacheva You have recently been at Rotaru's Anniversary. Is it possible that you will perform in the near future a song in duet with Sofia Mihailovna? - I would like to. However, one cannot hurry us in this. Rotaru is enormously overcharged, myself - as well. But we are dreaming about this already for many many years. And the singers' dreams should come true!
Sofia Rotaru
Certain people compared us, I've been mourning the fact that it would have been great to sing a duet.
Jeff Buckley
She laughed - a solo effort. Nothing in the prevailing circumstances made me feel like turning it into a duet.
P. G. Wodehouse
That play of black upon white, white upon black, has the intent and takes the form of creative art. It has in it a flow of the spirit and a harmony of music. Everything is lost when suddenly a false note is struck, or one party in a duet suddenly launches forth on an eccentric flight of his own. A masterpiece of a game can be ruined by insensitivity to the feelings of an adversary.
Yasunari Kawabata
Such is the idiosyncratic nature of her work that she could probably disappear for a half-century and still sustain her own unique position in the pop firmament. But then, who else would write about an obsessive-compulsive housewife or attempt a vocal duet with trilling birds, or, in the most courageous of the album's many unusual strategies, sing huge strings of numbers, a gambit that brings new meaning to the old critic's chestnut about being happy to listen to someone singing the telephone directory?
Kate Bush
Meat Loaf
Medawar, Peter
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