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Martin Esslin

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In an age of increasing specialisation, he had a refreshing breadth of vision, while his penetrating mind could quickly comprehend when something new and important was happening in the arts. He could explain the complex in a straightforward and lucid manner, and his judgments were invaluable. His book The Theatre Of The Absurd was the most influential theatrical text of the 1960s.
--
John Calder, in Obituary in The Guardian (27 February 2002)

 
Martin Esslin

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The Theatre of the Absurd strives to express its sense of the senselessness of the human condition and the inadequacy of the rational approach by the open abandonment of rational devices and discursive thought. While Sartre or Camus express the new content in the old convention, the Theatre of the Absurd goes a step further in trying to achieve a unity between its basic assumptions and the form in which these are expressed. In some senses, the theatre of Sartre and Camus is less adequate as an expression of the philosophy of Sartre and Camus — in artistic, as distinct from philosophic, terms — than the Theatre of the Absurd.

 
Martin Esslin
 

As I said, I am grateful that you do take notes, but I do wish that you take them accurately and not misrepresent my rather complex theories and reasoning. After all, I am a philosopher and a student, and my thoughts may be complex. If at any time you don't follow me, please interrupt and I will explain further. I have to smile when some of the defendants say in court that they never read my books or works, because it is a reflection on their inabilities to follow a philosophic trend of thought, which to the common man is much too deep and profound. It is difficult for one to express important opinions and theories scientifically and at the same time use simple construction. However, I have always tried to be as lucid as possible and I never strived to make my work or writings beyond the comprehension of the normally intelligent man.

 
Alfred Rosenberg
 

May I keep this book forever. May this book and this body outlast my love. May this book and this body love me as I love its length, its breadth, its thickness, its text, its skin, its letters, its punctuation, its quiet and its noisy pages.

 
Peter Greenaway
 

The "Theatre of the Absurd" has become a catch-phrase, much used and much abused. What does it stand for? And how can such a label be justified? Perhaps it will be best to attempt to answer the second question first. There is no organised movement, no school of artists, who claim the label for themselves. A good many playwrights who have been classed under this label, when asked if they belong to the Theatre of the Absurd, will indigniantly reply that they belong to no such movement — and quite rightly so. For each of the playwrights concerned seeks to express no more and no less his own personal vision of the world.
Yet critical concepts of this kind are useful when new modes of expression, new conventions of art arise.

 
Martin Esslin
 

Absurd, irreducible; nothing — not even a profound and secret delirium of nature — could explain it. Obviously I did not know everything, I had not seen the seeds sprout, or the tree grow. But faced with this great wrinkled paw, neither ignorance nor knowledge was important: the world of explanations and reasons is not the world of existence. A circle is not absurd, it is clearly explained by the rotation of a straight segment around one of its extremities. But neither does a circle exist. This root, on the other hand, existed in such a way that I could not explain it.

 
Jean-Paul Sartre
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