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Mark Tobey

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I have just had my first lesson in Chinese brush from my friend and artists Teng Kwei. The tree is no more solid in the earth, breaking into lesser solids in the earth, breaking into lesser solids bathed in chiaroscuro. There is pressure and release. Each movement, like tracks in the snow, is recorded and often loved for itself. The Great Dragon is breathing sky, thunder and shadow; wisdom and spirit vitalized. All is in motion now.. .. One step backward into the past and the tree in front of my studio in Seattle is all rhythm, lifting, springing upward.
--
Reminiscence and Reverie, Mark Tobey, Magazine of Art, 44, October 1951, pp. 230; as quoted in Abstract Expressionist Painting in America, W.C, Seitz, Cambridge Massachusetts, 1983, p. 66

 
Mark Tobey

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I could hear the mild voice of my Companion pointing the moral of my vision, and stimulating me to aspire, and to teach others to aspire. He had been angered at first — he confessed — by my ambition to soar to Dimensions above the Third; but, since then, he had received fresh insight, and he was not too proud to acknowledge his error to a Pupil. Then he proceeded to initiate me into mysteries yet higher than those I had witnessed, shewing me how to construct Extra-Solids by the motion of Solids, and Double Extra-Solids by the motion of Extra-Solids, and all "strictly according to Analogy", all by methods so simple, so easy, as to be patent even to the Female Sex.

 
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I think that I shall never see
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