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- They have no direct association with any particular visible experience, but in them one recognizes the principle and passion of organisms.
--
Abstract Expressionism, Creators and Critics, edited by Clifford Ross, Abrams Publishers New York 1990, p. 168

 

Mark Rothko

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We want Jesus as the visibly resurrected one, as the splendid, transfigured Jesus. We want his visible power and glory, and we no longer want to return to the cross, to believing against all appearances, to suffering in faith ... it is good here... let us make dwellings. …
The disciples are not allowed to do this. God's glory comes quite near in the radiant cloud of God's presence, and the Father's voice says: "This is my beloved son; listen to him!" … There is no abiding in and enjoying his visible glory here. Whoever recognizes the transfigured Jesus, whoever recognizes Jesus as God, must also immediately recognize Him as the crucified human being, and should hear him, obey him. Luther's vision of Christ: "the crucified Lord!" ... Now the disciples are overcome by fear. Now they comprehend what is going on. They were, after all, still in the world, unable to bear such glory. They sinned against God's glory.

 

Dietrich Bonhoeffer

 

- They are organisms with volition and a passion for self-assertion.

 

Mark Rothko

 

Formerly we used to represent things visible on earth, things we either liked to look at or would have liked to see. Today we reveal the reality that is behind visible things, thus expressing the belief that the visible world is merely an isolated case in relation to the universe and that there are many more other, latent realities. Things appear to assume a broader and more diversified meaning, often seemingly contradicting the rational experience of yesterday. There is a striving to emphasize the essential character of the accidental.

 

Paul Klee

 

I've never been a puppeteer, I conceive and I write and I design and I direct. And not just puppets. I direct actors, I direct dancers, I direct singers, I direct films. I also direct puppeteers. I'm really a theatre maker, but there's not a word for that.

 

Julie Taymor

 

Whereas certain people start with a recollection or an experience and paint that experience, to some of us the act of doing is the experience; so that we are not quite clear why we are engaged on a particular work. And because we are more interested in plastic matters than we are in matters of words, once can begin a painting and carry it through and stop it and do nothing about the title at all. All pictures are full of association.

 

William Baziotes