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Manuel Rivera-Ortiz

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I'm more likely to come in after the newspapers and television cameras have long disappeared from the scene post-disaster. The people I gravitate to are neither rich nor popular. They do not have the power to boost or end careers at the flick of a pen; nor do they own fancy things or drive fancy cars. These people live in slums and muddle trough piles of waste and trash on their way home to a little shack, which they share with a throng of other family members. Outside the cacophony of worldwide charitable organizations, their struggles are rarely suitable topic for common everyday talk.
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Manuel Rivera-Ortiz

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The Grand Inquisitor explains that you have to create mysteries because otherwise the common people will be able to understand things. They have to be subordinated so you have to make things look mysterious and complicated. That's the test of the intellectual. It's also good for them: then you're an important person, talking big words which nobody can understand. Sometimes it gets kind of comical, say in post-modern discourse. Especially around Paris, it has become a comic strip, I mean it's all gibberish. But it's very inflated, a lot of television cameras, a lot of posturing. They try to decode it and see what is the actual meaning behind it, things that you could explain to an eight-year old child. There's nothing there. But these are the ways in which contemporary intellectuals, including those on the Left, create great careers for themselves, power for themselves, marginalize people, intimidate people and so on.

 
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Inasmuch as the soul is present, there will be power not confident but agent. To talk of reliance is a poor external way of speaking. Speak rather of that which relies, because it works and is. Who has more obedience than I masters me, though he should not raise his finger. Round him I must revolve by the gravitation of spirits. We fancy it rhetoric, when we speak of eminent virtue. We do not yet see that virtue is Height, and that a man or a company of men, plastic and permeable to principles, by the law of nature must overpower and ride all cities, nations, kings, rich men, poets, who are not.
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One never knows whether the Poet is speaking fact, fancy, or allegory. If fancy is clever enough, I doubt that the Poet would admit a difference between fancy and fact. ~ Ch 21

 
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