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Mani Madhava Chakyar

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“With a few movements of the eye, he could manifest the mountains, the ocean, the rivers, the moonlit valleys, torrential rain, the gait of the swan and the elephant, a tornado, the opening of the lotus flowers and a lot else. To see him do it was to know that he was a non-pareil”
- P.T. Narendra Menon (noted art critic and poet), 1990

 
Mani Madhava Chakyar

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“His eyes were the unrivaled wonder of Abhinaya”
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Char embodies the ideal of the poet fighting for the nobility of the world — the leader of a small resistance group dedicated to honoring the ten thousand things of the universe. Mountains and rivers, flowers and vipers, meteors and rain — everything teems with meaning for this poet. … Illumination was his theme, his method — "For me lightning lasts," Char declared. His work is an essay in revelation.

 
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“Eyes, what an eloquent pair he has! He is able to express with them even the slightest difference in the mood”
- L.S Rajagopalan (noted art critic), 1990

 
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Ikenobo Sen'o, a master of flower arranging, once said (the remark is to be found in his Sayings): "With a spray of flowers, a bit of water, one evokes the vastness of rivers and mountains." The Japanese garden too, of course symbolizes the vastness of nature. The Western garden tends to be symmetrical, the Japanese garden asymmetrical, and this is because the asymmetrical has the greater power to symbolize multiplicity and vastness. The asymmetry, of course, rests upon a balance imposed by delicate sensibilities. Nothing is more complicated, varied, attentive to detail, than the Japanese art of landscape gardening. Thus there is the form called the dry landscape, composed entirely of rocks, in which the arrangement of stones gives expression to mountains and rivers that are not present, and even suggests the waves of the great ocean breaking in upon cliffs.

 
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“His historic talent was backed up by extraordinary erudition. Behind his wizardry with the eyes lay sustained practice undertaken with devotion and discipline”
- L.S Rajagopalan (noted art critic), 1990

 
Mani Madhava Chakyar
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