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Leslie Feist

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Feist's third album of new material, "The Reminder" is ... the album that should transform her from the darling of the indie-rock circuit to a full-fledged star, and do it without compromises. "The Reminder" is a modestly scaled but quietly profound pop gem: sometimes intimate, sometimes exuberant, filled with love songs and hints of mystery. ... In her new love songs Feist apologizes, confesses to longing, hints at betrayals and misunderstandings and wonders what might have been. Her voice is self-possessed yet unguarded, and it hovers in arrangements that are often modest — just a handful of musicians playing together in a room — but can also proffer gleaming instrumental hooks and nonsense syllables that invite singalongs. The songs find equipoise within heartache.
--
Jon Pareles in "Just Feist. Just Wait." in The New York Times (15 April 2007)

 
Leslie Feist

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Back around 1971, I was playing in a bar in Chicago one night, and after the show, I was packing up my guitar and stuff, and I was walking out the door, and a little guy stopped me. And he said, "Arlo, before you leave, I wanna sing you a song." I said "Come on man, I don't wanna hear no songs. I hate songs. I don't even like my songs! Why should I like your songs?" I was just tired, I wanted to get out of there, I was being a butt-head. He said, "Arlo, I just wanna sing you one song." I said, "Tell you what. Buy me beer. I'll sit here and drink it. As long as it lasts, you can do whatever you want." He said, "That sounds like a good deal. I said "It does?" It turned out to be one of the finer beers of my entire life.

 
Arlo Guthrie
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