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Leona Lewis

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I went to Clive Davis' Grammy party and I nearly spontaneously combusted because everyone on my iPod was there!
--
Contactmusic.com, March 2008

 
Leona Lewis

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The reason we'd stopped was that the buffet car was on fire, that was the reason we stopped. One of the giant biscuits spontaneously combusted out of boredom. Whoever was charged with making the announcement momentarily lost all sense of procedure and we got this tantalizing glimpse into the chaos on the trains, and all we could hear was (bangs on microphone) "Gary, it's burning, what we gonna do?!" And everyone on the carriage just cheered, "Hooray! We're rubbish!"

 
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"Clive [Davis] tried to tell me that saying certain words in a song- or as he says, ‘putting some balls into it'- isn't bad, it's just strong emotion. Well, there are certain words and emotions I don't want kids hearing, and I'm not changing because they think it's going to sell better. This is going to sound horrible, but I got 12 million votes doing what I did."
—''Time, 10/5/03 - describing pressure he got from RCA to "edge-up" his songs to boost sales.

 
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The British had the gall to call Robert Clive 'Clive of India' as if he belonged to the country, when all he really did was to ensure that much of the country belonged to him.

 
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To call Clive Barker a 'horror novelist' would be like calling the Beatles a 'garage band'... He is the great imaginer of our time. He knows not only our greatest fears, but also what delights us, what turns us on, and what is truly holy in the world. Haunting, bizarre, beautiful. These are words we can use to describe Clive Barker only until we invent new, more fitting adjectives.

 
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Arguably some of the most important tracks in the history of Rock and Roll, Elvis' SUN recordings demonstrate what a dynamic and talented vocalist he was; the young, raw, unadulterated Elvis whom musicologist Francis Davis once called "the greatest white blues singer”; I’m not one to argue with Mr. Davis.

 
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