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Lauren Bacall

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Nicole and I worked together on Dogville and we were friends when we started this. That laid the groundwork for our fabulous relationship on screen and off.
--
Interview at Venice Film Festival (8 September 2004)

 
Lauren Bacall

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I love Nicole. Nicole and I happen to be very great friends. Besides that, the press never get it straight. They do not print what you say... We were in Venice for Birth at the Venice Film Festival. And you know when you have a day when you go from one room to another with the roundtables with about five journalists sitting around at each table throwing questions at you all the time. So in one of these rooms, I'm sitting there. And one of the journalists said, you're an icon and Nicole Kidman's an icon and what do you think about that? And I said, why do you have to burden her with the category? She's a young woman. She's got her whole career ahead of her. Why does she have to be pegged as an icon or as anything? Let her enjoy her time. Don't, you know, suddenly put her in a slot. And that was all I said. The word "legend" never came up. It was "icon."

 
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The Fabians laid the groundwork for modern social democracy, and their influence on the world would end up being at least as powerful as that of Marx.

 
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As one of the handful of girls who worked with both of those dance geniuses, I think I can give an honest comparison. In my opinion, Kelly is the more inventive choreographer of the two. Astaire, with Hermes Pan's help, creates fabulous numbers - for himself and his partner. But Kelly can create an entire number for somebody else... I think, however, that Astaire's coordination is better than Kelly's... his sense of rhythm is uncanny. Kelly, on the other hand, is the stronger of the two. When he lifts you, he lifts you!... To sum it up, I'd say they were the two greatest dancing personalities who were ever on screen. But it's like comparing apples and oranges. They're both delicious.

 
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On the second album I worked with a lot of people that I worked with on the Metamorphosis album. And when I worked on Metamorphosis I was so nervous and shy about going into the studio and working with people, they eventually toward the end made me feel so comfortable and so secure with myself. I loved working with them. I have a great relationship with them. I talk to them [all the time]. When we started talking about the second album, I was like, "I want to work with all the same people." They knew what was going on in my life, what I was going through. I would call them and say, "I feel like this right now. I want a song about this..." I never really felt like I had enough time to write my whole album and I don't know if I'm secure enough with myself to do that. But I wrote three songs on the album, one I wrote with my sister. It's so personal and these people really got what I was going through and how I feel inside. I think that's what makes it good and that's what makes me relate to them.

 
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Marilyn was mean. Terribly mean. The meanest woman I have ever met around this town. I have never met anybody as mean as Marilyn Monroe or as utterly fabulous on the screen.

 
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