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Kalki Koechlin

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It's all a part of this world where we're all kind of mixing a lot, and… in that way we're all a bit confused about who we are, where we belong, where's home, and … who is important to us…
--
Interview with Olivia Bannock at the Toronto International Film Festival, on the subject of her work with Anurag Kashyap, in That Girl in Yellow Boots, for myETVmedia with Kalki Koechlin (28 September 2010)

 
Kalki Koechlin

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Nigel Barton (On TV): I feel I don't belong here, that's my trouble.
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Nigel Barton (on TV): No, I'm afraid I don't. Now it hurts to say this, of course, but it's the truth. Back at home, in the village, in the workingmen's club, with people I went to school with, I'm so much on the defensive, you see. They suspect me of making qualitative judgments about their environment, you understand, but it's not that I wish to do so. Yet I even find my own father looking at me oddly some times, waiting to pounce on some remark, some expression in my face, watching me like a hawk. I don't feel at home in either place. I don't belong. It's a tightrope between two different worlds, and I'm walking it.
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To really belong, we have got, first, to get it clear with ourselves that we do not belong and do not want to belong to an unfree world. As free men and women we have got to reject much of it and to know why we are rejecting it.

 
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Fans of The Melvins, they kind of know to expect weird things from me anyway, so they're not really too confused about this. The people who are confused are the down and dirty Slayer fans. - about the Fantômas-Sideproject

 
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There was a kind of shifting of the balances of my brain, of the way I had been thinking, the same kind of realignment as when, a few days before, words like democracy, liberty, freedom, had faded under pressure of a new sort of understanding of the real movement of the world towards dark, hardening power. I knew, but of course the word, written, cannot convey the quality of this knowing, that whatever already is has its logic and its force. I felt this, like a vision, in a new kind of knowing. And I knew that the cruelty and the spite and the I.I.I.I. of Saul and of Anna were part of the logic of war; and I knew how strong these emotions were, in a way that would never leave me, would become part of how I saw the world.

 
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I'm very glad that there was, in fact, a consequence. I think that this kind of coarse language doesn't belong anywhere in reasonable dialogue between reasonable people. ... It gets ruined by this disgusting -- and I'll use the word 'disgusting' -- comment which doesn't belong in any polite company and certainly doesn't belong on any radio station that I would listen to.

 
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