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Joseph McManners

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"Everything is so exciting at the moment. My school friends back home in Canterbury can't quite believe what I am up to. I can't wait for everyone to hear my new album"

 
Joseph McManners

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In societies with fewer opportunities for amusement, it was also easier to tell a mere wish from a real desire. If, in order to hear some music, a man has to wait for six months and then walk twenty miles, it is easy to tell whether the words, "I should like to hear some music," mean what they appear to mean, or merely, "At this moment I should like to forget myself." When all he has to do is press a switch, it is more difficult. He may easily come to believe that wishes can come true.

 
Wystan Hugh Auden
 

There has fallen a splendid tear
From the passion-flower at the gate.
She is coming, my dove, my dear;
She is coming, my life, my fate;
The red rose cries, "She is near, she is near;"
And the white rose weeps, "She is late;"
The larkspur listens, "I hear, I hear;"
And the lily whispers, "I wait."

 
Alfred (Lord) Tennyson
 

The Crusades were, "We kill you in the name of Jesus!" "Wait, we have Jesus, too! He's a prophet in our religion! We kill you in the name of Jesus!" "Do you? … Well, we kill you for your dark skin, for Jesus was a white man from Oxford!" "No, he wasn't! He was from Judea! Dark-skinned man, such as we!" "… Really? Look, we've come all this way. Would you mind awfully if we hacked you to bits? Just for the press back home."

 
Eddie Izzard
 

Jane took me to another level because she's truly a wonderful writer. I'd put things together in the past and struggled with them. And then I met Jane. ... I was doing my Edith Ann album in '71 — the album came out in '72. She'd done a thing on television called J.T. — it was about a kid in Harlem — and she won a Peabody for it. I later learned it was the first thing she'd ever written.
It was written as an After School Special, but they played it in prime time — and they played it every year after that for about 25 years, or something. Anyway, I saw it and it was wonderful. It was poetic and sensitive and satiric and tender and funny and so many things compressed into this one hour. And I thought, "Oh, God, this is exactly what I want in a monologue." So I wrote Jane and asked her to help me do the Edith Ann album. I didn't hear from her for a while. Then, suddenly, about a week before I was supposed to go in and record, she sent me a lot of material. I persuaded her to come to California and help me produce it. Frankly, I was pretty taken with her as soon as I saw her. We just sort of clicked. We became a couple right away.

 
Lily Tomlin
 

Art was always a means to an end with me. You get an idea, and you just can't wait. Once you've started, then you're in there with the punches flying. There's plenty of trouble, but you can handle it. You can't back out. It gets you down once in a while, but it's exciting. Our whole business is exciting.

 
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