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Joseph Heller

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When I read something saying I've not done anything as good as Catch-22 I'm tempted to reply, "Who has?"
--
As quoted in The Oxford Dictionary of Literary Quotations (1997) edited by Peter Kemp, p. 303

 
Joseph Heller

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There was only one catch and that was Catch-22, which specified that a concern for one's safety in the face of dangers that were real and immediate was the process of a rational mind. Orr was crazy and could be grounded. All he had to do was ask; and as soon as he did, he would no longer be crazy and would have to fly more missions. Orr would be crazy to fly more missions and sane if he didn't, but if he was sane he had to fly them. If he flew them he was crazy and didn't have to; but if he didn't want to he was sane and had to. Yossarian was moved very deeply by the absolute simplicity of this clause of Catch-22 and let out a respectful whistle.
"That's some catch, that Catch-22," he observed.
"It's the best there is," Doc Daneeka agreed.

 
Joseph Heller
 

James Burford, collier and fitter, was the oldest soldier of all. When I first spoke to him in the trenches, he said: "Excuse me, sir, will you explain what this here arrangement is on the side of my rifle?" "That's the safety catch. Didn't you do a musketry-course at the depôt?" "No, sir, I was a re-enlisted man, and I spent only a fortnight there. The old Lee-Metford didn't have no safety-catch." I asked him when he had last fired a rifle. "In Egypt in 1882," he said. "Weren't you in the South African War?" "I tried to re-enlist, but they told me I was too old, sir... My real age is sixty-three."

 
Robert Graves
 

Marx claimed in Volume 1 [of Capital] that there was some interesting economics involved in a labor theory of value, and some believe his greatest fame in pure economics lies in his at­tempted analysis of "surplus value." Although he promised to clear up the contradiction between "price" and "value" in later volumes, neither he nor Engels ever made good this claim.

 
Karl Marx
 

Leonid Brezhnev needed a haircut, so he went down to the ground floor of the Kremlin and plopped into the chair. It was understood that at such times the barber was to say not a word, just cut hair. But this morning, after a few snips he said: "Comrade Brezhnev what are you going to do about Poland?" No reply. Some minutes later: "Comrade Brezhnev, what about Poland?" Again no reply. Then, pretty soon: "Comrade Brezhnev, you've got to do something about Poland." At this Brezhnev jumps out of the chair and tears away the cloth: "What's all this about Poland?" and the barber says: "It makes my job so much easier," and Brezhnev screams: "What do you mean?" and the barber says: "Every time I mention Poland your hair stands straight up on end."

 
James A. Michener
 

As for 'story' I never yet did enjoy a novel or play in which someone didn't tell me afterward that there was something wrong with the story, so that's going to be no drawback as far as I'm concerned. "Good Lord, why am I so bored"—"I know; it must be the plot developing harmoniously." So I often reply to myself, and there rises before me my special nightmare—that of the writer as craftsman, natty and deft.

 
E. M. Forster
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