Tuesday, April 16, 2024 Text is available under the CC BY-SA 3.0 licence.

Joseph Beuys

« All quotes from this author
 

I would like to declare why I feel that it’s now necessary to establish a new kind of art, able to show the problems of the whole society, of every living being – and how this new discipline – which I call social sculpture – can realize the future of humankind. It could be a guarantee for the evolution of the earth as a planet, establish conditions for other planetarians too, and you can control it with your own thinking.. ..Here my idea is to declare that art is the ‘only’ possibility for evolution, the only possibility to change the situation in the world. But then you have to enlarge the idea of art to include the whole creativity. And if you do that, it follows logically that every living being is an artist – an artist in the sense that he can develop his own capacity.. .. And therefore, in short, I’m saying, all work that’s done has to have the quality of art. We can see later about developing a proof for this by thinking about these problems. Here is a general structure to show what I means by a social sculpture ‘(Beuys goes to the blackboard and points out symbols for archetypical elements, plants, animals, minerals, soul which he had drawn before the discussion started)
--
A public Dialogue, New York City, 1974, as quoted in Energy Plan for the Western man - Joseph Beuys in America, compiled by Carin Kuoni, Four Walls Eight Windows, New York, 1993, pp. 25-27

 
Joseph Beuys

» Joseph Beuys - all quotes »



Tags: Joseph Beuys Quotes, Authors starting by B


Similar quotes

 

My objects are to be seen as stimulants for the transformation of the idea of sculpture.. ..or of art in general. They should provoke thoughts about what sculpture can be and how the concept of sculpting can be extended to the invisible materials used by everyone. THINKING FROMS – how we mold our thoughts or SPOKEN FORMS – how we shape our thoughts into words or SOCIAL SCULPTURE – how we mold and shape the world in which we live: SCULPTURE AS AN EVOLUTIONARY PROCESS; EVERYONE AN ARTIST. (1979)

 
Joseph Beuys
 

In this world, the question has already been asked. The world has already started to face the problems, the problems which are vital for the human race. There is no need to discuss the problems, but I would like to present my opinion. In the midst of all this, I still sincerely think that this Knowledge, the Knowledge of God, the Knowledge of our Creator, is our solution. Many people might not think so, and carry a completely different opinion, but my opinion is that since man came on this planet earth, he has always been taking from it. Remember, this planet Earth is not infinite, it is finite, and though it has a lot to give, it is limited. Maybe now we can somehow manage to stagger along, cutting our standards of living, cutting gas, reducing the speed limit more, but the next very terrifying question is What about the future? I think this Knowledge which I have to offer this world, free of charge, is the answer. For if everybody can understand that everybody is a brother and sister, and this world is a gift, not a human-owned planet, and have the true understanding of such, we'll definitely bring peace, tranquillity, love and Grace, which we need so badly. I urge this world to try. I do not claim to be God, but do claim I can establish peace on this Earth by our Lord's Grace, and everyone's joint effort.

 
Maharaji (Prem Rawat)
 

Man is really not freeing many aspects. He is dependent on his social circumstances, but he is free in his thinking, and here is the point of origin of sculpture. For me the formation of the thought is already sculpture. The thought is sculpture.

 
Joseph Beuys
 

Already when I speak I need my own body, the physical flesh – it is a kind of clay to inform into – and I need my lungs, I need my tools here, existing in my anatomy; I need the physical conditions of other forms of life, in my brother or my sister. I must at once eliminate discussions, interpretations.. ..So, that is the second part of the problem; that the language, the thinking on the problem is a more important sculpture even than the end of the process existing in tools or in paintings, or in drawings, or in carvings. This transcendent character of information, in an invisible world, gives us at the same time the proof.. ..that we are not only biological beings, material beings, but first spiritual beings, not existing on this planet – that we are only partly existing on this planet – and being involved in wood, in felt, in fat, in iron, in rubber( the materials Beuys used a lot in his ‘sculptural work’, fh) or whatever resources of this planet.

 
Joseph Beuys
 

For the Anarcho-Syndicalists the trade union is by no means a mere transitory phenomenon bound up with the duration of capitalist society, it is the germ of the Socialist society of the future, the elementary school of Socialism in general. Every new social structure makes organs for itself in the body of the old organism. Without this preliminary any social evolution is unthinkable. Even revolutions can only develop and mature the germs which already exist and have made their way into the consciousness of men; they cannot themselves create these germs or create new worlds out of nothing. It therefore concerns us to plant these germs while there is still yet time and bring them to the strongest possible development, so as to make the task of the coming social revolution easier and to ensure its permanence.
All the educational work of the Anarcho-Syndicalist is aimed at this purpose.

 
Rudolf Rocker
© 2009–2013Quotes Privacy Policy | Contact