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John Roecker

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Any movie about cult figure Charles Manson needs lots of sex, drugs and blood. But as John Roecker discovered while filming his first feature -- screening Friday and Saturday only at the Avalon -- the key to amping up the gore is an old standby: puppets.
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Talcott, Christina (January 27, 2006). "Film Notes: John Roecker's 'Freaky' Puppet Show". The Washington Post (The Washington Post Company). 

 
John Roecker

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Western religions, all the leading religions, have this schizotypalism shot through them from top to bottom. It's that same exact principle: it's great having one of these guys, but we sure wouldn't want to have three of them in our tribe. Overdo it, and our schizotypalism in the Western religious setting is what we call a "cult," and there you are in the realm of a Charles Manson or a David Koresh or a Jim Jones. You can only do post-hoc forensic psychiatry on Koresh and Jones, but Charles Manson is a diagnosed paranoid schizophrenic. But get it just right, and people are gonna get the day off from work on your birthday for millennia to come. [laughter] This is great! I think this is the first time I've ever said that line without somebody getting up and leaving in a huff from the audience. It's very nice being here.

 
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The choice is not between drugs and no drugs, but between illegal drugs and legal drugs. Until the 1920s drugs were legal, why not now? Lots of people are on drugs anyway — it is called medication.

 
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Reighley, Kurt B. (February 14, 2006). "Freaky deaky: Gay music video director John Roecker takes stop-motion animation to bizarre places in his debut feature Live Freaky! Die Freaky!". The Advocate. 

 
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I was writing a lot of lyrics five or six years ago and the name Marilyn Manson, I thought really describes everything that I had to say, you know, male and female, beauty and ugliness, and it was just very American. It was a statement on the American culture, the power that we give to icons like Marilyn Monroe and Charles Manson and since that's where it's always gone from there. It's about the paradox. Diametrically opposed archetypes and then good.

 
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The shedding of blood — which is insisted upon at circumcision ceremonies — is most probably a symbolic survival from the animal and human sacrifices which were such a feature of the gore-soaked landscape of the Old Testament. By adhering to the practice, parents could offer to sacrifice a part of the child as a stand-in for the whole. (pp. 223–224)

 
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