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John Keats

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My indignation at Mr. Keats's depreciation of Pope has hardly permitted me to do justice to his own genius, which, malgre all the fantastic fopperies of his style, was undoubtedly of great promise. His fragment of Hyperion seems actually inspired by the Titans, and is as sublime as Aeschylus. He is a loss to our literature.
--
Lord Byron, 12 November 1821

 
John Keats

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Aeschylus had a clear eye for the commonest things. His genius was only an enlarged common sense. He adverts with chaste severity to all natural facts. His sublimity is Greek sincerity and simpleness, naked wonder which mythology had not helped to explain... Whatever the common eye sees at all and expresses as best it may, he sees uncommonly and describes with rare completeness. The multitude that thronged the theatre could no doubt go along with him to the end... The social condition of genius is the same in all ages. Aeschylus was undoubtedly alone and without sympathy in his simple reverence for the mystery of the universe.

 
Henry David Thoreau
 

He had one of the rarest qualities in all literature, and it's a great shame that the word for it has been thoroughly debased by the cosmetic racketeers, so that one is almost ashamed to use it to describe a real distinction. Nevertheless, the word is charm — charm as Keats would have used it. Who has it today? It's not a matter of pretty writing or clear style. It's a kind of subdued magic, controlled and exquisite, the sort of thing you get from good string quartettes.

 
F. Scott Fitzgerald
 

Hawthorne's career was probably as tranquil and uneventful a one as ever fell to the lot of a man of letters; it was almost strikingly deficient in incident, in what may be called the dramatic quality. Few men of equal genius and of equal eminence can have led on the whole a simpler life... He produced, in quantity, but little. His works consist of four novels and the fragment of another, five volumes of short tales, a collection of sketches, and a couple of story-books for children. And yet some account of the man and the writer is well worth giving. Whatever may have been Hawthorne's private lot, he has the importance of being the most beautiful and most eminent representative of a literature. The importance of the literature may be questioned, but at any rate, in the field of letters, Hawthorne is the most valuable example of the American genius.

 
Nathaniel Hawthorne
 

Here are Johnny Keats's piss a-bed poetry [...] There is such trash of Keats and the like upon my tables, that I am ashamed to look at them [...] No more Keats, I entreat: flay him alive; if some of you don't I must skin him myself: ther eis no bearing the driveling idiotism of the Mankin.

 
John Keats
 

In men of genius, sterile years precede productive years, these again to be followed by sterility, the barren periods being marked by psychological self-depreciation, by the feeling that they are less than other men; times in which the remembrance of the creative periods is a torment, and when they envy those who go about undisturbed by such penalties. Just as his moments of ecstasy are more poignant, so are the periods of depression of a man of genius more intense than those of other men. Every great man has such periods, of longer or shorter duration, times in which he loses self-confidence, ... times in which, indeed, he may be sowing the seeds of a future harvest, but which are devoid of the stimulus to production.

 
Otto Weininger
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