Friday, April 19, 2024 Text is available under the CC BY-SA 3.0 licence.

Joanna MacGregor

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Being a specialist is a 20th century thing, and now rather old fashioned as an idea. I realised early on that you can be the kind of superstar who jets around playing the same programmes all over the world, or you can be the sort of musician who perhaps can be a little influential.

 
Joanna MacGregor

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At a very early stage I realised that it's a real problem to perform electronic music on stage because electronic instruments are not particularly convincing on a visual point of view: somebody behind his computer, it's not particularly visual. So I was inspired by the opera. And what was the opera in the 19th century? It was the idea for a musician to join and to work, to collaborate with a stage director, with carpenters, painters, people doing decors, graphic artists to have a visual prolongation, a visual correspondence to their work. That's what I tried to do with the tools of my generation: electronics and video and lights and all that.

 
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When Charles Darwin entered the world 200 years ago ... all men were men and brothers, because all were descended from Adam. By the time Darwin had reached adulthood, however, opinions around him were growing more equivocal. ... By the mid-19th-century, many influential voices denied that the enslaved African was a brother, and it was broadly taken for granted that as a man, he was of an inferior sort to his white master. ... Evolutionary thinking enabled [Darwin] to rescue the idea of human unity, taking it over from a religion that no longer provided it with adequate support, and put the idea of common descent on a rational foundation.

 
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When I was a kid, I was into The New York Jets. And then I got into girls as I got older, and then I got back into the Jets because I'd realized there's times when the girl won't f*^k you, but the Jets will always f*^k you.

 
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This is what the world waits for. The world out there asks, 'What's the Superstar going to wear next?' Not, 'Who's he going to whip next?' but what in the world is the Superstar going to wear. And I've got millions of letters saying, 'Superstar, would you please lay some yellow on me, daddy?'

 
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If there were a list of the most influential people in the 20th century (and now a bit beyond), Stanislav Grof would be among them. The importance of altered states of consciousness is now coming to be increasingly recognized, and no one has worked this domain as productively as the author of this book.

 
Stanislav Grof
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