Saturday, April 20, 2024 Text is available under the CC BY-SA 3.0 licence.

Jessica Mae Stover

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The overall project is a cross-platform film project. The way we’re funding the film is, instead of going to studios--who don’t make original films anymore, specifically not original sci-fi and fantasy--you just don’t see that very often, if at all, we went straight to the audience.
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About how ARTEMIS ETERNAL is made

 
Jessica Mae Stover

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It's already getting more and more difficult to make an ambitious and original film. There are less and less independent producers or independent companies and an increasing number of corporations who are more interested in balance sheets than in artistic achievement. They want to make a killing each time they produce a film. They're only interested in the lowest common denominator because they're trying to reach the widest audience. And you got some kind of entropy. That's the danger; they look more alike, those films. The style is all melting and it all looks the same. Even young directors — for most of them, their only standard of achievement is how well their films do on the first weekend or whatever. It worries me. But then, from time to time, you have a film like The Usual Suspects or.... I'm trying to think of something American with some kind of originality... Pulp Fiction.

 
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The film studios learned to our dismay but to their pleasure that if they spent $200 million making a film they could make half a billion on it. So they were not interested anymore in quality films… They can’t afford to be that risky at those prices. Consequently you’re getting a lot of remakes, sequels, dopey comedies full of toilet jokes…

 
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How do I pick a role? Well, primarily I think I would like to be part of a film that's progressive as well as entertaining, you know? Because in India we have a huge amount of audience that is not educated, and they really look up to films... So I think it's important to do a film... that's entertaining but has a message. And after that I'd like to do films that are different for me -- if I'm doing a love story then I want to do a war film, if I'm doing a war film then I want to do a story about an un-wed mother. I think variety is the spice of life.

 
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Mainstream films have occupied Hollywood but you can get bored very easily. It can be very repetitive and I think now we want something fresh and something inspiring and different, daring. The mainstream film is very expensive to make and it scares people. It's made for the worldwide audience, you have to please so many people, and the business men start running the movies rather than artists. This is back to the oldest way of Hollywood filmmaking, creating a fantasy, but it has been lost. It seems to take a foreign language film to recoup that ultimate movie viewing experience.

 
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