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Jean-Francois Lyotard

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The body might be considered the hardware of the complex technical device that is human thought.
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p. 291

 
Jean-Francois Lyotard

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Philosophy is possible only because the material ensemble called “man” is endowed with very sophisticated software. But also, this software, human language, is dependent on the condition of the hardware. Now: the hardware will be consumed in the solar explosion, taking philosophical thought with it (along with all other thought) as it goes up in flames. So the problem of the technological sciences can be states as follows: how can we provide this software with a hardware that is independent of the conditions of life on earth? That is: how can we make thought without a body possible?

 
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When the evolutionary process shifts from biology to software technology the body becomes the old hardware environment. The human body is now a probe, a laboratory for experiments.

 
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Obedient to the primary impulse of adequate expression, the style of a complex subject should be complex; of a technical subject, technical; of an abstract subject, abstract; of a familiar subject, familiar; of a pictorial subject, picturesque.

 
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Most of my colleagues go on backpacking trips when they have to do some thinking. I go to a good hardware store and head for the oiliest, dustiest corners. ... If they're really good, they don't hassle me. They let me wander around and think. Young hardware clerks have a lot of hubris. They think they can help you find anything.... Old hardware clerks have learned the hard way that nothing in a hardware store ever gets bought for its nominal purpose. You buy something that was designed to do one thing, and you use it for another.

 
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Marcel Duchamp, one of this century’s pioneers, moved his work through the retinal boundaries which had been established with Impressionism into a field where language, thought and vision act upon one another. There it changed form through a complex interplay of new mental and physical materials, heralding many of the technical, mental and visual details to be found in more recent art.. ..He declared that he wanted to kill art (“for myself”) but his persistent attempts to destroy frames of reference altered our thinking, established new units of thought, a “new thought for that object”.

 
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