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Jakob Dylan

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I see myself as a traditionalist … I like traditional things. I like things of substance and value that have been proven. Conceptually, as the songs started to come together, I followed that lead, which is the language I work in.
--
Interview for Columbia Records (2010)

 
Jakob Dylan

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When we started the idea was to have one big song and it would have little parts. We kinda got the idea from Wire. And we were trying to purge the Blue Oyster Cult and Creedence so we wouldn’t be derivative. We felt tainted because a lot of these punk rockers had just started playing and wrote their songs immediately; they didn’t have the years in the bedroom copying records like us. And then there were the punk rockers singing their songs and it dawned on us that they were trying to tell us something that was on their minds. We grew up during the ’60s, although our teen years were all in the ’70s, and I think part of the ’60s was that this is a country born out of protest, so it’s traditional to embrace the idea that things might not be working out so right, and ask what does it all mean? So a lot of times the songs are kind of little weird summaries of the discussions we had with each other.

 
Mike Watt
 

...another thing you sometimes find in non-literate cultures is development of the most extraordinary linguistic systems: often there's tremendous sophistication about language, and people play all sorts of games with language. So there are puberty rites where people who go through the same initiation period develop their own language that's usually some modification of the actual language, but with quite complex mental operations differentiating it -- then that's theirs for the rest of their lives, and not other people's. And what all these things look like is that people just want to use their intelligence somehow, and if you don't have a lot of technology and so on, you do other things. Well, in our society, we have things that you might use your intelligence on, like politics, but people really can't get involved in them in a very serious way -- so what they do is they put their minds into other things, such as sports. You're trained to be obedient; you don't have an interesting job; there's no work around for you that's creative; in the cultural environment you're a passive observer of usually pretty tawdry stuff; political and social life are out of your range, they're in the hands of the rich folks. So what's left? Well, one thing that's left is sports -- so you put a lot of the intelligence and the thought and the self-confidence into that. And I suppose that's also one of the basic functions it serves in the society in general: it occupies the population, and keeps them from trying to get involved with things that really matter.

 
Noam Chomsky
 

The things that mankind has tested and found right make for harmony and progress — or peace; and the things it has found wrong hinder progress and make for discord. The right things lead to rational behavior — such as the substitution of reason for force — and so to freedom. The wrong things lead to brute force and slavery.
But the peace I describe is not passive. It must be won. Real peace comes from struggle that involves such things as effort, discipline, enthusiasm. This is also the way to strength. An inactive peace may lead to sensuality and flabbiness, which are discordant. It is often necessary to fight to lessen discord. This is the paradox.

 
Richard E. Byrd
 

I told him I just want to write some more songs and put them on tape. I figure the content of the songs and how I choose to answer for myself is my business. He says he is sorry, even cut to the heart, but he cannot and will not sign me, as, alas, I cannot say the things he wanted to hear. I say I am sorry he cannot hear the things I'm trying to say.

 
Mark Heard
 

When we consider the being and substance of that universe in which we are immutably set, we shall discover that neither we ourselves nor any substance doth suffer death. for nothing is in fact diminished in its substance, but all things, wandering through infinite space, undergo change of aspect.

 
Giordano Bruno
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