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Jack Abbot

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The mind does not regulate its own condition. Mental depression, for example, is a state of mind caused by the body. In a cell in the hole it only seems that there is a separation of mind and body - in fact, the body's condition (of deprivation of sensations; experiences, functions, and so on) controls the moods of the mind more than in any other situation I can think of.

 
Jack Abbot

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While the body is young and fine, the soul blunders, but as the body grows old it attains its highest power. Again, every good soul uses mind; but no body can produce mind: for how should that which is without mind produce mind? Again, while the soul uses the body as an instrument, it is not in it; just as the engineer is not in his engines (although many engines move without being touched by any one).

 
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Human beings are divided into mind and body. The mind embraces all the nobler aspirations, like poetry and philosophy, but the body has all the fun.

 
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Man is to himself the most wonderful object in nature; for he cannot conceive what the body is, still less what the mind is, and least of all how a body should be united to a mind. This is the consummation of his difficulties, and yet it is his very being. 72

 
Blaise Pascal
 

If evil exists it must exist either in Gods or minds or souls or bodies. It does not exist in any God, for all god is good. If anyone speaks of a "bad mind" he means a mind without mind. If of a bad soul, he will make the soul inferior to body, for no body in itself is evil. If he says that evil is made up of soul and body together, it is absurd that separately they should not be evil, but joined should create evil.

 
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In the discussion we had last year at Siegen, in this regard, emphasis was put on the sort of emptiness that has to be obtained from mind and body by a Japanese warrior-artist when doing calligraphy, by an actor when acting: the kind of suspension of ordinary intentions of mind associated with habitus, or arrangements of the body. It’s at this cost, said Glenn and Andreas, ... that a brush encounters the “right” shapes, that a voice and a theatrical gesture are endowed with the “right” tone and look. The soliciting of emptiness, this evacuation—very much the opposite of overweening, selective identificatory activity—doesn’t take place without some suffering. ... The body and mind have to be free of burdens for grace to touch us.

 
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