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Hilda Lewis

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Magic doesn't happen often — not once in a blue moon … I expect there isn't another magic ship like this one in the whole world.
--
Ch. 2 : And Continues

 
Hilda Lewis

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God is alive. Magic is afoot. God is alive. Magic is afoot. God is afoot. Magic is alive. Alive is afoot. Magic never died. God never sickened. Many poor men lied. Many sick men lied. Magic never weakened. Magic never hid. Magic always ruled. God is afoot. God was ruler though his funeral lengthened. Though his mourners thickened Magic never fled...

 
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Art is magic. So say the surrealists. But how is it magic? In its metaphysical development? Or does some final transformation culminate in a magic reality? In truth, the latter is impossible without the former. If creation is not magic, the outcome cannot be magic. To worship the product and ignore its development leads to dilettantism and reaction. Art cannot result from sophisticated, frivolous, or superficial effects.

 
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Dawns and sunsets. The Magic Hour -- when the sun and the moon can be in the sky at the same time -- a magic and disturbing occurrence for a child. And for an adult.

 
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We are magic. It is magic that we're walking around. It's fantastic magic. Some people would call it miracles; I like to call it magic. … Yes, I'm very aware of this. Yes, the more aware I get, the more I can understand how big it is, how big it will get. It'll be harder to comprehend; that's why I have to go along with it, 'cause its so vast. To say to somebody that God is everything that lives and ever has lived and ever will live, and you're never going to touch and see, smell and be everything that is God. Magic is very hard to comprehend.

 
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Fantasy allows you to shine a different kind of light on human beings. I believe the only valid use of fantasy is to illustrate important human themes. Magic in my novels is used in three ways: the simplest is as a metaphor for technology. A good example is a magic carpet. There's no magic carpet in my novels, but if someone needs to travel a great distance, they could use a magic carpet, while in a contemporary novel they'd use a car. The second way, and I think the most important, is as a metaphor for individuality and individual ability. The mediocre world doesn't want individuals to rise above what everyone else is doing. The third way I use magic is as a metaphor for coming out of an age of mysticism into a Renaissance. So, in a way it's the struggle between the Dark Ages and the Renaissance. ... I never allow my characters to use magic to solve their problems. Some of their peripheral problems are solved through their magical abilities, but it's couched in terms of overcoming those problems in a thinking way. The major conflicts in the books are always solved through human intellect, through thinking out the problem and coming up with a solution. It's never "I'll just wave my magic wand over the bad guys and have them all fall down dead!"

 
Terry Goodkind
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