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Hilaire Belloc

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The Llama is a wooly sort of fleecy hairy goat,
With an indolent expression and an undulating throat
Like an unsuccessful literary man.
--
"The Llama"

 
Hilaire Belloc

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Literary works cannot be taken over like factories, or literary forms of expression like industrial methods. Realist writing, of which history offers many widely varying examples, is likewise conditioned by the question of how, when and for what class it is made use of.

 
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A fearful thing stood at the cloister's end
And eyed him for a while, then 'gan to wend
Adown the cloisters, and began again
That rattling, and the moan like fiends in pain.
And as it came on towards him, with its teeth
The body of a slain goat did it tear,
The blood whereof in its hot jaws did seethe,
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"Some fiend she was," he said, "the bane of man."
Yet he abode her still, although his blood
Curdled within him: the thing dropped the goat,
And creeping on, came close to where he stood,
And raised its head to him and wrinkled throat.
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Shutting his eyes, and turned and from the place
Ran swiftly, with a white and ghastly face.

 
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Always the fact remains that to the mentally indolent this book may well seem a volume of disconnected short stories. All of us being more or less mentally indolent, this possibility constitutes a dire fault.

 
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The second and third Empires, represented by the Bear and Leopard, are again represented by the Ram and He-Goat; but with this difference, that the Ram represents the kingdoms of the Medes and Persians from the beginning of the four Empires, and the Goat represents the kingdom of the Greeks to the end of them. By this means, under the type of the Ram and He-Goat, the times of all the four Empires are again described: I lifted up mine eyes, saith Daniel, and saw, and behold there stood before the river [Ulai] a Ram which had two horns, and the two horns were high, but one was higher than the other, and the higher came up last.

 
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