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Helen Hayes

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Actors cannot choose the manner in which they are born. Consequently, it is the one gesture in their lives completely devoid of self-consciousness.
--
Ch. 1

 
Helen Hayes

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There is no Enlightenment, no evolutionary entrance into the truly Spiritual Condition of human existence, without ego-death, or transcendence of the mind. There must be the literal death of the separate and separative consciousness. In this moment, you are holding on to your sense of separate consciousness as if it were something tangible and material. You possess yourself through a great contraction of body and psyche. By virtue of this gesture, you have become rigid, mediocre, deluded, relatively loveless, self-possessed, and isolated. To be without an inner consciousness is, for you, unthinkable. To be incapable of feeling yourself as a separate consciousness is, for you, a terrifying prospect. Nevertheless, that is precisely the realization with which you must become completely comfortable. ('Scientific Proof of the Existence of God Will Soon Be Announced by the White House!, p. 171)

 
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To be universal you've got to stain the consciousness of the people. You've got to dig out a truth that everybody knows, but they don't want to hear, then tell it in a manner that's so articulate and so aesthetically indignant, so beautiful, that they've got to accept it back in their lives again. That's what I want to do. Touch something universal in your own language.

 
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"Father, there is little to tell." She spread her graceful hands in a deprecatory gesture. "My consciousness has never associated itself with this temporary body. Before I came on this earth, Father, 'I was the same.' As a little girl, 'I was the same.' I grew into womanhood, but still 'I was the same.' When the family in which I had been born made arrangements to have this body married, 'I was the same... And, Father, in front of you now, 'I am the same.' Ever afterward, though the dance of creation change[s] around me in the hall of eternity, 'I shall be the same.'"

 
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"My field," said Goethe, "is time." That is indeed the absurd speech. What, in fact, is the Absurd Man? He who, without negating it, does nothing for the eternal. Not that nostalgia is foreign to him. But he prefers his courage and his reasoning. The first teaches him to live without appeal and to get along with what he has; the second informs him of his limits. Assured of his temporally limited freedom, of his revolt devoid of future, and of his mortal consciousness, he lives out his adventure within the span of his lifetime.

 
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At a strictly personal level, if not to the manor born, Spassky was certainly to the gracious manner born.

 
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