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Havelock Ellis

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The omnipresent process of sex, as it is woven into the whole texture of our man's or woman's body, is the pattern of all the process of our life.
--
The New Spirit (1890)

 
Havelock Ellis

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The human brain has left and right brain symmetry with its own nature and can process information which initially appears to have no pattern or order. However, the brain has the ability to process visual information much more efficiently.

 
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World is the pattern of meaningful relations in which a person exists and in the design of which he or she participates. It has objective reality, to be sure, but it is not simply that. World is interrelated with the person at every moment. A continual dialectical process goes on between world and self and self and world; one implies the other, and neither can be understood if we omit the other. This is why one can never localize creativity as a subjective phenomenon; one can never study it simply in terms of what goes on within the person. The pole of world is an inseparable part of the creativity of an individual. What occurs is always a process, a doing — specifically a process interrelating the person and his or her world.

 
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The idea of being constructive, creative, positive, in trying to bring out the best in one's own self and the best in others follows from what I've just been saying. Again, I repeat my belief in us, in ourselves, as the product of the process of evolution, and part of the process itself. I think of evolution as an error-making and error-correcting process, and we are constantly learning from experience. It's the need to dedicate one's self in that way, to one's own self, and to choose an activity or life that is of value not only to yourself but to others as well.

 
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Orgoch gave a most ungentle snort. Orddu, meanwhile, had unfolded a length of brightly woven tapestry and held it out to Taran.
“We came to bring you this, my duckling,” she said. “Take it and pay no heed to Orgoch’s grumbling. She’ll have to swallow her disappointment—for lack of anything better.”
“I have seen this on your loom,” Taran said, more than a little distrustful. “Why do you offer it to me? I do not ask for it, nor can I pay for it.”
“It is yours by right, my robin,” answered Orddu. “It does come from our loom, if you insist on strictest detail, but it was really you who wove it.”
Puzzled, Taran looked more closely at the fabric and saw it crowded with images of men and women, of warriors and battles, of birds and animals. “These,” he murmured in wonder, “these are of my own life.”
“Of course,” Orddu replied. “The pattern is of your choosing and always was.”
“My choosing?” Taran questioned. “Not yours? Yet I believed...” He stopped and raised his eyes to Orddu. “Yes,” he said slowly, “once I did believe the world went at your bidding. I see now it is not so. The strands of life are not woven by three hags or even by three beautiful damsels. The pattern indeed was mine. But here,” he added, frowning as he scanned the final portion of the fabric where the weaving broke off and the threads fell unraveled, “here it is unfinished.”
“Naturally,” said Orddu. “You must still choose the pattern, and so must each of you poor, perplexed fledglings, as long as thread remains to be woven.”

 
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