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Harry Emerson Fosdick

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Don't simply retire from something; have something to retire to.
--
As quoted in Wisdom for Our Time (1961) by James Nelson

 
Harry Emerson Fosdick

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Nothing embitters my old age [like] the circulation of absurd stories that I retire as civilization advances, that I shun the white men and seek the Indians, and that now even when old, I seek to retire beyond the second Alleganies.

 
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I won't retire. When you're an actor, you're forced to retire every few months. John Gielgud was 96 when he died, and he was working. It's good to work, whatever it is that keeps you interested. I would like to do that, I would like to keep going. I don't have kids, and I don't have hobbies. I don't particularly like to travel. If you're an actor, you have to travel anyway.

 
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Music is nothing separate from me. It is me. I can't retire from music any more than I can retire from my liver. You'd have to remove the music from me surgically — like you were taking out my appendix.

 
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Men seek retreats for themselves, houses in the country, sea-shores, and mountains; and thou too art wont to desire such things very much. But this is altogether a mark of the most common sort of men, for it is in thy power whenever thou shalt choose to retire into thyself. For nowhere either with more quiet or more freedom from trouble does a man retire than into his own soul.

 
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I've painted for a very long time, but I don't get tired or bored by it; I love to do it. If I don't paint one day, I don't feel well physically or mentally. My eyes bother me when I don't paint. But when I paint a full day, I feel satisfied and everything seems to be OK. I would never stop, never retire. I don't see how people can retire; I don't understand that. My brother Moses died while he was painting. He was actually working on a painting, and the last words he said were to the model: "Phoebe, don't frown." Then he died. He worked to the very last minute.

 
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